Moment In Time – Exploring The Creation Of Verdi’s ‘Otello’ & ‘Falstaff’ At The Morgan Library & Museum

Since Sept. 6, 2019, the Morgan Library & Museum in New York City has been holding an exhibition that details the development and creation of Verdi’s final two operas. The exhibition, entitled “Verdi: Creating ‘Otello’ and ‘Falstaff’” and curated by Gabriele Dotto, presents a wide range of materials courtesy of the Bertelsmann-owned Ricordi Archive, all organized as to give the {…}

Q & A: Tenor Airam Hernández On ‘Caruso a Cuba’ & His Upcoming Role Debut As Fenton In ‘Falstaff’

Earlier this season, Spanish tenor Airam Hernández took on the role of legendary tenor Enrico Caruso in the world premiere of Dutch composer Micha Hamel’s new opera “Caruso a Cuba.” Following his success in Amsterdam, the tenor will make his highly anticipated U.S. debut and role debut with the Dallas Opera as Fenton in Lee Blakely’s production of Verdi’s beloved comedy “Falstaff.” Hernández recently spoke with OperaWire about his {…}

OperaVision 2019 Preview: Garsington Opera Presents ‘Falstaff’

Verdi’s final masterpiece “Falstaff” with start streaming from the Garsington Opera on OperaVision starting on March 28, 2019. Henry Waddington leads the cast in the title role while Mary Dunleavy appears as Alice Ford. The remaining cast members include Richard Burkhard, Yvonne Howard, Soraya Mafi, Oliver Johnston, and Victoria Simmonds, among others. Bruno Ravella directs while Richard Farnes conducts the {…}

Interview: Contralto Marie-Nicole Lemieux on Her Met Debut & Her Mission as a Singer

Quebec-native Marie-Nicole Lemieux, C.M., C.Q., is one of the highest-rated contraltos in the world, performing regularly at Covent Garden, Theater an der Wien, Barcelona’s Liceu, the Théâtre des Champs-Elysées, and singing alongside such luminaries as Anna Netrebko and Plácido Domingo. Name a world-class orchestra or maestro, and Lemieux has more than likely worked with them at some point in her {…}