Albert Edward Sutherland’s film “Champagne Waltz” (1937) is many things. A film where jazz coolness and Viennese waltz culture combine in a forceful yet graceful dance of push and pull, punctuated by a story about a romance born from rivalry as two cultures butt heads before ultimately capitulating to the other. Starring soprano Gladys Swarthout, whose singing in the film was {…}
While operas that focus on disabilities in the positive, challenging conventional associations of disability and replacing them with affirmative messaging which reflects the tenaciousness of the individual over their situation, one of the last to be adapted into the operatic genre is deafness. Contemporary operas like Errollyn Wallen’s “The Paradis Files” based upon the life of Austrian composer Maria Theresia {…}
This week the Edmonton Opera opened a new production of Golijov’s “Ayre,” a cycle of songs that offers a tour of the Mediterranean, particularly in that mixture of Spanish, Jewish, and Arabic influences. The work featured Miriam Khalil, a rising soprano who has established herself as one of Canada’s most versatile. In a short interview, Khalil spoke about the work: OperaWire: Tell {…}
This week a new production of Ponchielli’s “La Gioconda” is set to open at the famed Salzburg Easter Festival. The opera, which is rarely performed, required six of the greatest voices and the festival lined up a star cast including rising star Eve-Maud Hubeaux, who is set to portray her first Laura. Over the past years, the mezzo has become {…}
On March 10, 2024, Music of Remembrance will present the world premiere of “Phoenix,” a work that was inspired by the 16-year-old Nika Shakarami who joined other Iranian girls and citizens in protesting the death of Mahsa Amini and who died in the custody of the Iranian morality police after appearing in public without the mandated head covering. The new {…}
This week the Opera de Tenerife is set to present a new production of Dvořák’s most popular opera “Rusalka.” The work will include famed Spanish singers and will be directed by Brazilian director André Heller-Lopes, one of Latin America’s most popular opera directors. OperaWire spoke with Heller-Lopes regarding his ideas and inspiration for Rusalka. The following are the director’s thoughts {…}
(Photo Credits: H. Paul Moon) Performed among the foliage and resplendences of Campos Community Garden in New York City, one of a myriad of analogous respites, sanctuaries if you will, from the tyranny of cement and metal, the monotonous timbres and assaults of the urban soundscape, and the droning apathy and cold banality of inner-city dwelling, the caressing melodiousness of {…}
This week the Teatro Manoel di Malta is presenting Rossini’s “Armida” one of the composer’s most difficult operas and one that has six tenors. This week as the company presents the opera, Anle Gou will sing two of the opera’s tenor roles bringing out his superb Rossini tenor. Gou, who recently spoke with OperaWire about the technical challenges of Rossini {…}
(Photo: Jill Steinberg) National Sawdust and The Met Opera presented “Opera Evolved: Genre Fluidity” on Thursday, February 22nd, 2024. This was the second installment of this three-part series that, according to the program, celebrates artistic convergence by investigating the intersection of innovation and tradition at National Sawdust. The evening included composer and co-founder of National Sawdust, Paola Prestini, and theater {…}
