Last week, we kicked off a weeks-long segment of opera quizzes centering on 21st-century works and composers. Here is the second such installment in this series, which will bring us to the end of 2020. We provide a clue, you match it to the opera choices listed. As always, enjoy!
(Photo: Hasan Almasi) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The views of the author may not reflect editorial opinion. “Through the stories we tell through classical music, we can confront political issues, history, philosophy, and {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Luchino {…}
Over the years, this quiz has placed a premium on opera’s repertory staples and its interpreters. Now we will shift gears for a bit, shining a spotlight on 21st century opera and its creators over the next several weeks. For this first installment, we take a tour through some modern works. We provide a clue, you match it to the {…}
Photo by Daniel Thiele Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The views of the author may not reflect editorial opinion. Last week, a €1.8 trillion budget was agreed upon as the final version of a European {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Martin {…}
Lawrence Tibbett was one of the most renowned baritones at the Metropolitan Opera during the first half of the 20th century. He debuted with the company in 1926 and became a fixture over the next couple of decades until his final performance with the company in 1950. Throughout that time he became a specialist in the works of Verdi, but {…}
(Art by Zuleyka V. Benitez, used with permission from Haymarket Opera Company) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The views of the author may not reflect editorial opinion. This week I found myself longing for {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the {…}
