Emily No Prisoner Be – A Deep Dive Into New Kevin Puts Album Featuring Joyce DiDonato & Time for Three

What is it about Emily Dickinson that keeps us coming back? Perhaps that her life feels like finding a door to another world in the cupboard. She lived a quiet, isolated life, {…}

Opera Meets Film: Strained Relations and Non-Endings in Sebastian Fagerlund’s ‘Autumn Sonata’

(Photo: Sakari Viika/Finnish Music Quarterly) Throughout operatic history, family difficulties are among the most widely utilized themes by composers, with the more recognizable feuds seemingly being children and their (step) mothers. From Pamina and her mother (“Die Zauberflöte”), Hansel, Gretel, and their stepmother (“Hansel and Gretel”), Lucette/Cinderella and her stepmother (“Cendrillon”), and Elektra and her stepmother (“Elektra”), there is something {…}

Best of 2025: Most Read Articles on OperaWire This Year

As we wrap up 2025, here is a look back at some of the most-read articles of the year. We will focus mainly on longer-form pieces like reviews and interviews for this article. Top {…}

Opera Meets Film: The Pursuit Of The Dream in Miriam Gordon-Stewart’s ‘YAPS’

The world of classical singing is fraught with challenges, especially for those wishing to make a career from singing alone. From an oversaturated marketplace of voices and biases of all shapes and sizes, to economic stressors and the constant fight for golden opportunities, what keeps someone going? The chronic instability within the classical music industry makes searching for opportunities both {…}

Best of 2025: OperaWire’s Staff Selects Their Favorite Performances of the Year

The New Year is upon us, which means it’s time to look back and reflect at what was and what will remain in our memories. As per usual, OperaWire has compiled the favorite {…}