(Credit: ©Miguel Lorenzo y Mikel Ponce) For this week’s edition of the Word Search we shine the spotlight on famed “Lucia di Lammermoor” interpreters of the past and present. Instructions: You are free to solve the word search directly on your mobile or desktop device; just click the first and last letter of each word for it to appear on {…}
(Credit: Marty Sohl / Metropolitan Opera) “Page to Opera Stage” looks at stories–real-life or fiction, old and new–that have inspired operas, and the ways these narratives have been edited and dramatized to fit a new medium. In this instalment, we look at one novel–Abbé Prevost’s ‘Manon Lescaut’–and the two (very different) audience favourite operas it inspired: Jules Massenet’s “Manon” and {…}
(Credit: Ken Howard/Metropolitan Opera) On Sept. 9 Staatsoper Hamburg is set to open concert performances of Puccini’s “Manon Lescaut,” the work that the put composer on the map. The company has lined up an all-star cast that includes Sonya Yoncheva, who will make her overdue role debut. The Bulgarian soprano was originally set to make her role debut in the {…}
We are all familiar with the aphorism ‘clothing maketh the man‘ and its related parabolic lesson, regardless of the superficiality of the statement and its inherent inadequacies as a didactic phrase that can be really listened to in any meaningful way. The backward iniquitous core of this phrase most properly resonates as eternally problematic when reworked in George Bernard Shaw’s {…}
(Credit: historicaltenors.) OperaWire is proud to present “The Wonderful World of Opera Dogs,” a series by Diana Burgwyn, which will focus on the relationship between opera’s most iconic stars and their beloved canines. The creation of this series and all research necessary for each individual piece were conducted solely by Diana. To learn more about the origins of the project, {…}
(Credit: Eric Bouloumie) Donizetti wrote nearly 70 operas, many of which have been forgotten. Over the last several years many of his works have been rediscovered thanks in part to concert performances, festivals, or recordings. This week German audiences will get to discover the composer’s 1841 one-act opera “Rita” at the Konzerthaus Berlin. The opera will star a cast of {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Leo Carax’s “Annette.’ {…}
(Credit: Ken Howard/ Metropolitan Opera) For this edition of the crossword puzzle, audiences will get a chance to survey a number of operas that premiered in the month of August. Instructions: You are free to solve the crossword directly on your mobile or desktop device; just the first box you wish to type into and type away. For those using {…}
(Credit: Cory Weaver) On August 21, the San Francisco Opera will return to the stage after a year and a half of no performances due to the pandemic. The company will revive a production of “Tosca” with an all-star cast including Ailyn Perez in her role debut and Michael Fabiano in his U.S. role debut in Shawna Lucey’s acclaimed production. {…}
