Opera Meets Film: How ‘To All the Boys I’ve Ever Loved’ Shapes A Dramatic Moment Through Awkward Use of ‘Tannhäuser’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the {…}

Artist Of The Week: Lidia Fridman

“Lucrezia Borgia” is one of the most challenging soprano roles of the Bel Canto repertoire. It is a part that sopranos relish to sing due to the complexity of the {…}

Opera Meets Film: How ‘Teen Spirit’ Provides Healing For the ‘Madama Butterfly’ Narrative of Family Abandonment

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment Max Minghella’s “Teen Spirit.” {…}

Artist Of The Week: Marina Costa-Jackson

(Credit: Robert Workman) In 2016 a young dramatic soprano won the Zarzuela Division and Second Prize at the Operalia Competition launching her international career and making her {…}