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Opera Meets Film

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All Special FeaturesArtist of the WeekGamesOn This DayOpera Meets FilmOpera Quiz
Jan 21, 2021

Opera Meets Film: How ‘Promising Young Woman’ Dialogues With Wagner’s ‘Tristan und Isolde’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Emerald {…}

Jan 7, 2021

Opera Meets Film: The Narrative & Emotional Nuance of Wagner’s ‘Das Rheingold’ in Herzog’s ‘Nosferatu the Vampyre

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Werner {…}

Dec 31, 2020

Opera Meets Film: How Takashi Miike’s ‘Audition’ Manipulates / Alters the Emotions of ‘Carmen’s’ Entr’acte

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Takashi {…}

Dec 17, 2020

Opera Meets Film: A Deep Dive Into Anthony Roth Costanzo’s ‘Glass Handel’ (Part One)

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “Glass {…}

Dec 10, 2020

Opera Meets Film: How Zoe Saldana’s ‘Colombiana’ Uses Opera to Express Cataleya’s Struggle With a World of Toxic Masculinity

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the {…}

Dec 3, 2020

Opera Meets Film: How the Intermezzo from Bizet’s ‘Carmen’ Is Used to Draw Thematic Connections with “Someone Has to Die’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the {…}

Nov 26, 2020

Opera Meets Film: How the Music of Bizet & Verdi Adds Irony to Luchino Visconti’s ‘Ossessione’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Luchino {…}

Nov 19, 2020

Opera Meets Film: How a Choral Passage from ‘Lucia di Lammermoor’ Emphasizes Robert DeNiro’s Operatic Turn in ‘Cape Fear’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Martin {…}

Nov 12, 2020

Opera Meets Film: Musical, Theatrical, & Cinematic Space in Derek Jarman’s Opera Films

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the {…}

Nov 5, 2020

Opera Meets Film: How a Bellini Aria Foreshadows Tragedy in Luchino Visconti’s ‘La Terra Trema’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Visconti’s {…}

Oct 29, 2020

Opera Meets Film: How ‘Tosca’s’ ‘Vissi d’Arte’ Provides Symbolism & Transcendent Life to ‘Lola Vers la Mer’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Larent {…}

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