What would you do, say, and believe for love, and most importantly, what would you ignore for the sake of love? Such standardized questions seem to permeate the fabric of the operatic world from time immemorial to the present, and the well is not showing signs of running dry anytime soon. But we must ask a second and more important {…}
We all know Disney’s rendition of “The Little Mermaid,” and are familiar with its transformation of Hans Christian Anderson’s oft-disturbing 1837 fairy tale into a heartwarming, family-friendly story of love and adventure. The original narrative is far more Wagnerian than Mozartian in dramatic tenor, due to Anderson’s synthesis of intense pathos with virtuous rebirth. In the Disney version, Ariel—who is {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features a look at {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “Mes Frères et {…}
(Credit: Anna Cillan) Following the halt on live performances due to COVID-19, opera houses and companies alike were forced to reform how they brought music to their traditionally in-person audiences. Via digital means, like prerecorded content, subscription-based videos, and online events, the traditional venues of opera were radically altered. But as lockdowns start to end, and restrictions begin to be {…}
Following the signing of the Moscow Declarations in October 1943, an international agreement between the four key allied powers—China, Soviet Union, United States, and United Kingdom— formed to defeat the Tripartite Pact and restore global peace by proxy; Stalin would issue an emphatic, jingo-hawk address only a month later. Speaking at the 26th Anniversary of the October Revolution Celebration Meeting {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Leo Carax’s “Annette.’ {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Pixar’s “Luca.” Pixar’s {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “The {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Fellini’s {…}
Marie Antoinette managed to make both the palatine, French nobility, the bourgeoise and the working-class revile her before the end of her tumultuous reign as queen to the last king of the House of Bourbon. She has been since depicted as a foreign intruder who shamelessly feasted on the sumptuous trappings of aristocratic life with almost immoral gluttony. The common {…}