Last month Bright Shiny Things released the world premiere recording of Ricky Ian Gordon and Frank Bidart’s new opera “Ellen West.” The recording was captured from the Prototype Festival in New York in January 2020, with soprano Jennifer Zetlan and baritone Nathan Gunn, the Aeolus Quartet, double bassist Evan Premo, pianist Djordje Nesic, and conductor Lidiya Yankovskaya. The new opera offers a portrait of {…}
(Photo Credit: Staatstheater Kassel) When COVID-19 spread quickly across the globe earlier this year, the entire opera world was forced into a lengthy shutdown. And despite continued concerns over the deadly virus, companies slowly found ways to return to some degree of normalcy. Thomas Bockelmann, the Intendant of the Staatstheater Kassel, took on this challenge head-on and recently spoke to {…}
(Credit: Jenkins Mitch) A few months back, it was erroneously reported by several publications (including this one) that soprano Marina Poplavskaya had officially retired from her career. That was far from the case. While the Russian mezzo-soprano has not been quite as active as she was at the beginning of the 2010s, she is far from finished as a singer. {…}
On Sept. 25, Composer Sarah Kirkland Snider released her latest album “Mass for the Endangered,” a celebration of, and an elegy for, the natural world—animals, plants, insects, the planet itself—an appeal for greater awareness, urgency, and action. The piece is a six-movement Mass for the Endangered and is a rumination on the concept of the traditional Catholic Mass. It features {…}
(Credit: Ray Burmiston/Decca Classics) “I hope that we will be more grateful for the fact that we get to do what we do, that we can sit next to each other in a concert hall and have some more respect for others when they’re not feeling great or are down. We need to come out of this pandemic more supportive {…}
(Credit: Natalia Sedinta) Moldovan soprano Natalia Tanasii was only 21 when she made her professional stage debut as Countess Almaviva (“Le nozze di Figaro”) at the Moldovan National Opera. Her unforgettable Salzburg Festival debut followed in Krzysztof Warlikowski’s staging of “Elektra” this year. In an interview with OperaWire, Ms. Tanasii discussed her career moves, repertoire choices, and her preparation process {…}
(Credit: Michael Cooper) “People are craving music and all the healing, soothing, and bonding elements it provides.” American-Canadian soprano superstar Sondra Radvanovsky was in Rio de Janeiro on March 13, 2020, when the COVID-19 pandemic hit the world in full force. Radvanovsky was slated to perform at the Theatro Municipal, but the performance ended up being canceled. Faced with a {…}
Few artists have dedicated themselves to championing the works of composers of African and African American descent the way that conductor Marlon Daniel has. A Chicago native, Daniel has performed new works by such composers as Fred Onovwerosuoke, Dominique Le Gendre, and Adolphus Hailstork, among others. He also founded the Festival International de Music Saint-Georges in Guadaloupe and was the {…}
(Credit: Simon Pauly) “The music is giving me what I need. Music has always given me what I needed in my life.” When the COVID-19 hurricane struck humanity in full force in March, tenor Martin Muehle was about to begin rehearsals for the supernatural opera “The Queen of Spades” at the Deutsche Oper Berlin. At that moment it was obvious {…}
