Romanian-Hungarian mezzo-soprano Judit Kutasi is described as possessing a “deeper dark voice” and has been predicted to be the “the Verdi mezzo of the next years.” Born in Timisoara, Romania, she studied voice, piano and cello at the Colegiul Național de Artă “Ion Vidu” and continued her studies at the University of Oradea and the Music Academy Gheorghe Dima {…}
(Photo: Alciro Theodoro Da Silva) At the end of February, start of March this year, the Badisches Staatstheater, Karlsruhe is presenting a Händel festival, which includes productions of “Rinaldo,” and “Siroe, Re di Persia,” among many other events. During a recent performance of “Il Ritorno di Ulisse in Patria” in Ravenna, OperaWire met up with Spanish tenor Jorge Navarro Colorado, {…}
(Photo: Dario Acosta) In March, American soprano Jacquelyn Stucker will be performing in Philip Venables’ “We are the Lucky Ones” at Amsterdam’s Opera Forward Festival. OperaWire will be interviewing her about the production during the festival, but as a taster, she kindly agreed to answer a few questions about herself. OperaWire: How old were you when you saw your first {…}
(Photo: Maru Teppei) Beth Morrison Projects (BMP) is an organization actively changing the roadmap of opera production and composition one project at a time. Since 2006 the company has commissioned, developed, produced, and toured over 60 works in 14 countries around the world, including the Pulitzer Prize-winning chamber operas “Angel’s Bone” and “p r i s m.” This year’s PROTOTYPE {…}
(Credit: Brittany Lesavoy Smith Photography) Few organizations have done as much to illuminate the possibilities of contemporary opera than American Opera Initiative (AOI). The program, founded in 2012 by Francesca Zambello, is a one-year lab of sorts for aspiring opera composers and librettists to create, workshop, rehearse, and premiere a short opera. Amongst the works to premiere under the program {…}
(Photo: Michele Monasta) Italian Soprano Chiara Isotton is a graduate of the Benedetto Marcello Conservatory in Venice, and is a member of the La Scala Academy, Milan. She won several important national and international competitions, including being among the winners of the “European Community” Competition for Young Opera Singers by the Teatro Lirico Sperimentale di Spoleto in 2013 where she {…}
OperaWire met up with English soprano Charlotte Bowden between performances of Monteverdi’s “Il Ritorno di Ulisse in Patria” and a double Purcell bill of “Hail! Bright St. Cecilia” and “Dido and Aeneas” at the Ravenna festival, in which she was essaying the roles of Melanto, a solo soprano and Belinda, respectively. Although she only recently graduated from the Royal College {…}
(Photo © Marc Larcher) To learn from Maestro Paolo Arrivabeni about his journey before he steps on the podium to conduct an opera or a symphony is more than a treat. It is a brief excursion into some of the layers he explores before he picks up his baton. More than rehearsals with singers and orchestra, more than simply studying {…}
When Jane Marsh made her Italian and European début at the Festival of Two Worlds in Spoleto, Italy singing the demanding part of Desdemona in Giuseppe Verdi’s “Otello,” she was just past her teens. She had been recommended to Thomas Schippers by the Metropolitan Opera as he was looking for a soprano to sing the role for the opening of {…}