This review is for the performance on Feb. 22, 2019. The month of February might be the Met’s best in 2018-19. Just a few weeks ago, the company revived Donizetti’s “La Fille du Régiment” and it proved to be one of its great successes of the season. Propped up by star performances and a brilliant production, it has kept audiences {…}
The title character of Verdi’s “Falstaff” is a notoriously challenging role. Not only is there a certain vocal quality required, but a poor actor can sink the entire opera; Falstaff is what makes his own titular opera work in a way quite similar to the eponymous personage of Mozart’s “Don Giovanni.” The Metropolitan Opera is set to revive Verdi’s final {…}
Verdi’s final masterpiece “Falstaff” will be live stream to audiences worldwide from the Vienna State Opera on Jan. 30, 2019. The Italian comedy will feature a production by David McVicar with James Conlon as the musical director. Carlos Alvarez takes on the title role with the likes of Simon Keenlyside, Jinxu Xiahou, Olga Bezsmertna, Hila Fahima, and Monika Bohinec also {…}
Yes, it’s that time of the year where we wax poetic about transformative experiences we have had over the course of the last 300 or so days. Sometimes we curate these experiences as rankings to fuel some individual emotions, and at other moments we simply do what we are doing with this piece – let a few different people chip {…}
Dangerously close to the genre of farce, Verdi’s “Falstaff” almost lifts the burden of tough singing from its players. Centered on a large ensemble cast to which – with the exception of the titular protagonist – the vocal challenges are doled out almost equally, its arias are largely scant. Transferring the setting from 15th-century London to a fanciful, blown-up and {…}
Born on June 26, 1916, baritone Giuseppe Taddei’s path to a successful career was rather unconventional. He studied in Rome and made his professional debut in “Lohengrin.” In 1942, he was conscripted into the army but returned to singing after World War II, appearing for two seasons in Vienna. He went to sing in London in 1947, followed by the {…}
This Saturday, the Vienna State Opera brings its season-long live stream series to an end with Verdi’s “Falstaff.” Per the official website, Verdi’s final masterwork will showcase Ambrogio Maestri in his signature role alongside Christopher Maltman as Ford. Among the other major stars of the showcase are Jinxu Xiahou, Olga Bezsmertna, Hila Fahima, and Monika Bohinec. James Conlon conducts Sir {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment we will take a {…}
Arrigo Boito, born on Feb. 24, 1842, has marked his space in the opera world mainly through his opera “Mefistofele.” He didn’t get a chance to create much other music, his final work, “Nerone,” never coming to full fruition. But he did leave his mark in other major ways. Here is a look at his most famous works, outside of {…}
It all ends with a joke. After decades of dominating the opera world as a foremost melodrammatist, Verdi’s final opera is the complete opposite, a comedy. “Falstaff,” which premiered on Feb. 9, 1893, was written by Arrigo Boito and is nothing like the other works Verdi had ever composed. He openly mocks his other works throughout. He tears down operatic {…}
Tito Gobbi is arguably one of the greatest, if not the greatest baritone of the 20th century. Born on Oct. 24, 1913, his career really took off after the second World War with the singer performing all around the world in a wide range of great Italian repertoire. He not only sang with a gorgeous baritone sound that featured tremendous {…}