This month’s Off the Beaten Track explores the newly released recording of “The Wake World: A Tale for Babes and Sucklings,” a one-act opera composed by Los Angeles-based composer/librettist David Hertzberg and inspired by Aleister Crowley’s work of the same name. The recording is the first opera released under the Tzadik label. Founder and executive producer of Tzadik, John Zorn {…}
On its west facade Rouen Cathedral features a bas-relief of Salome dancing on her hands for the Tetrarch and his guests. In a luring form of “danse macabre,” she thus seals the fate of the Baptist whose execution is shown in the following scene. Flaubert is said to have derived inspiration for his recounting of the Biblical story in the {…}
On Thursday, May 14th, Heartbeat Opera presented its seventh of 22 “Lady M,” Virtual Soirées.” The soirées which have, for the time being, supplanted the company’s staged re-imagining of Verdi’s “Macbeth,” having been such a hit that an additional 14 were added after selling out the originally slated 18. The extra meet-ups are scheduled for late-May through early-June. Be glad more {…}
(Credit: Russell Duncan/Opera Rara/ROH) A little over a year ago, Opera Rara, whose commitment is to record unknown, forgotten and rarely performed works from the 19th century, released a reconstructed version of Donizetti’s then-never performed “L’ange de Nisida.” This world premiere recording reveals the work to be an authentic Bel Canto jewel, providing deep immersion into Donizetti’s style of composition {…}
(Photo: Igor Studio) The countertenor Franco Fagioli’s new CD, entitled “Veni, Vidi, Vinci,” turns the spotlight onto the now relatively ignored composer Leonardo Vinci. During the early 18th century Vinci was a leading figure in the Neapolitan school; he is known to have influenced the works of Pergolesi, Hasse and Handel, collaborated closely with Metastasio, worked with the leading singers {…}
No doubt the legacy of “Cavalleria Rusticana” is reaching far back into the history of recording; from the 1909 version of the Odeon Orchestra to the milestones of the LP era. Its prominence has not even slowed with the advent of the compact disc or indeed the reprinting of forgotten lore, including the 1938 performance of Lina Bruna Rasa. One {…}
The Metropolitan Opera’s At-Home Gala was one of the most hotly anticipated performances of the first half of 2020; one might argue that given its sheer star power, the showcase, which was announced just two weeks ago, was more anticipated than any performance the Met had lined up as part of its regular season. While the Met initially reneged on {…}
With the world in the grip of a pandemic that has shuttered opera houses around the globe, composers, librettists, directors, and singers are exploring new ways to connect with audiences and explore technology. With disruption comes innovation, and the spirit of invention took hold of composer Kamala Sankaram, librettist Rob Handel, and HERE Arts Center artistic director Kristin Marting, inspiring {…}
The recording of “Pepito,” a comedic opera in one act with music by Nicolas Lell Benavides and libretto by Marella Martin Koch, is set to release on May 1, 2020 and it is an amusing, quick-hit of delightful opera worth a listen. This compact, 20-minute chamber opera tells the story of Pepito, a shelter dog meeting a husband and wife who {…}