Komische Oper Berlin 2026-27 Review: Lear

(Photo: Monika Rittershaus) There are operas that survive their period, and others that somehow seem to grow into it. Aribert Reimann’s “Lear,” which received its {…}

O P E R A W I R E

Interviews

Q & A: Azrieli Commission for Canadian Music Laureate Nicholas Denton Protsack on Creating Ecologically-Minded Music

(Credit: Hagen Hopkins) The 2026 Azrieli Commission for Canadian Music laureate is New Zealand-based Canadian composer and cellist Nicholas Denton Protsack. Described by the Canadian Music Centre as a “composer to keep a close eye on,” Protsack’s work explores the connections between sound, ecology, and improvisation, and has been performed across North America, Europe, and New Zealand. Recently, the composer {…}

Q & A: Sharon Carty on her Position as Artistic Director of the Sligo Baroque Festival & her Role as Mary in Irish National Opera’s Production of “Testament”

(Photo: Frank McGrath/Irish Independent) Mezzo-soprano Sharon Carty is a name familiar to anyone with an interest in classical music in Ireland. Known mainly for her many performances in operas and concerts across the country, she also active in other areas associated with the classical musical scene, not least in her role as the recently appointed artistic director of Sligo Baroque {…}

Q & A: Music Worcester’s Chris Shepard & Friends on THE COMPLETE BACH

(Photo credit: Wright & Mazzucco) As the third year of BACHtoberfest approaches, Artistic Director of The Worcester Chorus and THE COMPLETE BACH Chris Shepard, pianist Simone Dinnerstein, and BACHtoberfest Choir member, Dana Lauducci spoke with OperaWire about this audacious project. THE COMPLETE BACH, Music Worcester’s 11-year project to present all of the known works of J. S. Bach live features the annual {…}