Mezzo-soprano Eve Gigliotti is set to appear in a reading of “Untitled (Inspired by Film Stills)” on Jan. 17, 2020 with the National Sawdust Projects. The reading, which will be presented with FERUS Festival, is a series of four operatic monodramas that explore the stages of transformation and identity in a woman’s life. The performance will feature music by Ellen {…}
Teatro Grattacielo, in collaboration with the Bel Canto International Club, has announced its Camerata Bardi Vocal Academy, which is set to take place in New York City between April 13-19, 2020. For this first year, the company is championing seven Academy singers including soprano Anush Avetisyan, bass-baritone Michael Pitocchi, mezzo-soprano Maria Zoi, mezzo-soprano Eugenia Forteza, tenor Adam Goldstein, baritone Darian {…}
(Credit: Royal Opera House /Tristram Kenton) This review is for the performance on Jan. 10, 2020. Alongside with Richard Eyre’s classic production of “La Traviata,” Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal, and will therefore be making 16 appearances this year, with myriad casts and three conductors. This is its second revival since {…}
American tenor Charles Castronovo and Russian soprano Ekaterina Siurina are set to appear together in three performances of Richard Jones’s production of Puccini’s “La Bohème” this January at the Royal Opera House. The pair return to The Royal Opera for the second revival of the production following a last-minute appearance as Mimì and Rodolfo during the 2017-18 season. Charles Castronovo {…}
The San Francisco Opera Center and Merola Opera Program have announced their 37th annual Schwabacher Recital Series for 2020. The performances, which are scheduled at San Francisco’s Dianne and Tad Taube Atrium Theater, will feature emerging artists from around the globe. The first concert will showcase a set of performers recently seen as part of the Merola Opera Program. Mezzo-soprano {…}
The Saratoga Performing Arts Center has announced its 2020 Classical Season. While there will be a number of chamber concerts and movie screenings, for the purposes of this article we will only announce the vocal performances. Yannick Nézet-Séguin will conduct the Philadelphia Orchestra, Albany Pro Musica and the Pro Musica International Festival Chorus in Beethoven’s Symphony No. 9. The concert {…}
The Italian tenor Giorgio Merighi has died at the 80 years on Jan. 12, 2020. Born on Feb. 20, 1939, the tenor studied at the Conservatorio Gioachino Rossini di Pesaro and went on to make his debut in 1962 as Riccardo in “Un ballo in Maschera” alongside Renato Bruson at the Spoleto Festival. That debut would lead him to Bilbao {…}
The Semperoper Ball has put out a statement in regards to the accusation that Yusif Eyvazov would not work with Armenian singer Ruzan Mantashyan due to political tensions. The company noted, “SemperOperaball firmly rejects accusation against Yusif Eyvazov. The organizers of SemperOperaball firmly reject the accusation that the singer Ruzan Mantashyan will not perform at the 15th SemperOperaball on Feb. {…}
(Credit: ROH/Bill Cooper) Baritone Gabriele Viviani will replace Sir Simon Keenlyside in the role of Giorgio Germont in this evening’s presentation of “La Traviata” at the Royal Opera House, according to the company’s official website. Viviani has been slated to take over the role of Giorgio Germont starting January 22, but was asked to jump in for today’s show at {…}
Opera Holland Park has announced the retirement of General Director Michael Volpe, which will take effect on Sept. 30, 2020. Volpe began working with the owners of Holland Park Theatre in 1989 and under their management founded Opera Holland Park in 1996. In 2015, he transitioned the company to its own independent charity, working together with James Clutton to transform {…}
“Lucrezia Borgia” is one of the most challenging soprano roles of the Bel Canto repertoire. It is a part that sopranos relish to sing due to the complexity of the character and the flashiness of the music. So when a new soprano takes on the part for the first time, it is always exciting to wonder how that singer will {…}
