
CD Review: Decca’s ‘Marina’
Decried, derided, dismissed—such was the fate of verismo opera, viewed through the lens of musicological conservatism, that is. Accused of sordid gutter realism, it tended to be overlooked as the declining, or terminal, chapter in the evolution of Italian melodrama: “Last Acts” (2000) and “The Autumn of Italian Opera” (2007) are but two book titles illustrating this bias—in spite of {…}









