Q & A: Serge Dorny on Taking Presidency of Opera Europa, The Future of Opera & Anna Netrebko’s Return to Bayerische Staatsoper

(© Geoffroy Schied) Serge Dorny is one of the most powerful men in opera. Beginning his career as a dramaturge under Gerard Mortier at Théâtre de la Monnaie in Brussels, he would eventually become Artistic Director of several major institutions before climbing to some of the most prestigious positions in the industry. He led as General Director of Opéra National {…}

Jonas Kaufmann, Anna Netrebko, Sonya Yoncheva, Diana Damrau, Elīna Garanča, Asmik Grigorian, Nicole Car, Nicholas Brownlee, Michael Spyres, Nadine Sierra, & Simon Keenlyside Lead Bayerische Staatsoper’s 2026-27 Season

The Bayerische Staatsoper has announced its 2026-27 season. Premiere Productions The first production of the season will be Wagner’s “Siegfried” with Benjamin Bruns, Matthias Klink, Nicholas Brownlee, Georg Nigl, Timo Riihonen, Wiebke Lehmkuhl, Simone Schneider, and Miina-Liisa Värelä. Vladimir Jurowski conducts the production by Tobias Kratzer. Performance Dates: Oct. 29, 2026-July 29, 2027 Nadine Sierra and Lisette Oropesa alternate as {…}

Cast Change: Galina Cheplakova & Davide Giusti Step Into Munich’s ‘La Bohème’

The Bayerische Staatsoper has announced two cast changes for “La Bohème” on Dec. 26, 2025. The company said that Galina Cheplakova will replace Sonya Yoncheva, who was originally scheduled. Meanwhile Davide Giusti will sing the role of Rodolfo, replacing Long Long. Cheplakova performed the Dec. 23 performance, also replacing Yoncheva. Cheplakova recently made her debut with the company in “La {…}

‘Don Giovanni’ Is One of the Greatest Works Ever Written. Why Is It So Hard for Directors to Get Right?

(Photo: © Monika Rittershaus) “Don Giovanni” is an opera of seductions and escapes, moral wreckage and divine retribution, a shimmering mosaic of comedy, tragedy, farce, and existential dread. Yet “the mother of all operas” is also a uniquely treacherous work—at once alluring and intractable, irresistibly open yet elusive. Music’s sublimity rarely fails to connect with audiences, even in a less-than-stellar {…}