Q & A: Soprano Ambur Braid on Working with Amanda Seyfried on ‘Seven Veils’ & Singing COC Production of ‘Salome’ at the Same Time

Atom Egoyan‘s “Seven Veils” is an ambitious film. Set in Toronto, it follows Jeanine, a theater director doing a revival of “Salome” at the Canadian Opera Company. As she digs deeper into the production, created by her former mentor, Jeanine is faced with some of her past traumas uniting “reality” with the theatrical. The film delves deep into Jeanine’s psychology {…}

Q & A: Artistic Director & Conductor George Petrou on This Season’s International Händel Festival in Göttingen

(Photo: FreddieF) This year’s International Händel Festival in Göttingen kicks off on May 16th and will run until May 25th. The festival will present a range of events dedicated to the composer, including lectures, concerts, recitals, and readings, along with the eighth edition of its Händel competition. The centerpiece of the festival will be five staged performances of the composer’s {…}

In Less Than Five Minutes, Get To Know Mezzo-soprano Valeria Girardello

(Photo: Felix Grünschloß) OperaWire was fortunate to be present at The International Händel Festspiele in Karlsruhe earlier this month in which we caught a splendid production of the composer’s 1731 opera, “Rinaldo.” Fortunately, we managed a very quick interview with one of its star performers, mezzosoprano Valeria Girardello. OperaWire: What was the first opera you saw? Valeria Girardello: “L’Italiana in {…}

Q & A: Soprano Giselle Allen on ‘Der Fliegende Hollände’ & the Repertory She Prefers to Sing

(Photo: courtesy of Giselle Allen) Later this month, Irish National Opera will be staging a new production of Wagner’s “Der Fliegende Holländer,” conducted by Fergus Sheil and directed by Rachael Hewer, with baritone Jordan Shanahan as the Dutchman. OperaWire recently met up with the Northern Irish soprano, Giselle Allen, who is currently preparing for the role of Senta, to talk {…}

Q & A: Kelley O’Connor on Performing Thomas Adès’ ‘America: A Prophecy’

(Photo Credit: Emma Kruch) Acclaimed mezzo-soprano recently debuted an expanded version of Thomas Adès’ “America: A Prophecy” with The Gewandhaus Orchestra under Andris Nelsons. Her other performances this season include Verdi’s “Requiem”and Anna in Berlioz’s monumental “Les Troyens”. OperaWire was glad for this opportunity to discuss with the mezzo-soprano both the modern and the classical roles in her repertoire.  OperaWire: Hi Kelley — and thank you so much {…}

Q & A: Vannina Santoni On Performing The Title Role In Bru-Zane’s New Recording Of Massenet’s Grisélidis

(Photo: courtesy of Vannina Santoni) Jules Massenet completed more than 30 operas over the course of his career, scoring numerous successes. Within a few years of his death, however, his reputation had faded. Today, apart from “Werther,” “Manon” and to a lesser extent “Thaïs,” most opera-goers would struggle to name more than one or two other titles. Opera companies reinforce {…}