Q & A: Puerto Rican Soprano Kresley Figueroa on Her Upcoming Metropolitan Opera Debut, the Mid-Atlantic Symphony Orchestra & Performing with Regional Orchestras

(Credit: Soloman Howard) Puerto Rican soprano Kresley Figueroa is a graduate of the Cafritz Young Artist with Washington National Opera where she has performed in numerous productions including “The (R)evolution of Steve Jobs,” “Partenope,” “La Périchole,” and “The Lion, The Unicorn, and Me.” She has also appeared alongside Renée Fleming, Thomas Hampson, and Denyce Graves in WNO’s annual gala. Figueroa {…}

Q & A: Sara Jakubiak on her Debut at the Teatro alla Scala, ‘Lady Macbeth of Mtsensk’ & Opening Night

The Teatro alla Scala’s opening night is one of the most important evenings in the opera world. The opening is always held on December 7, which celebrates the feast of Sant’Ambrogio. It is also streamed globally, creating much buzz around the world. For this year’s celebration, the Milan theater has chosen Shostakovich’s masterwork “Lady Macbeth of Mtsensk” with Sara Jakubiak {…}

Q & A: Jonathan Tetelman on Returning to Carnegie Hall, Crossover & Performing With Yankees Legend Bernie Williams

(Photo: ©BenWolf) On Jan. 13, 2026, tenor Jonathan Tetelman will join guitarist and Yankees legend Bernie Williams for a special Carnegie Hall concert. The evening will blend classical, Latin, and jazz music and will feature special guests that include Mets legend José Reyes, Knicks icon Stephon Marbury, and Metropolitan Opera artists. The concert will be hosted by Emmy Award-winning journalist Darren Rovell {…}

Q & A: Cathedral Choral Society of Washington’s Steven Fox on Creating the Ensemble’s ‘Sound’

Since he took over the job eight years ago, Steven Fox, Music Director of Cathedral Choral Society (CCS) has done his utmost to transform the organization’s direction.  To that end, Fox’s initiatives have included expanding the repertory, creating programs to improve the skill set of its members, and offering up new opportunities to deepen connections with the audience. “I am {…}