Q & A: Andrea Sanguineti on Verdi, Mozart & Korngold’s ‘Das Wunder der Heliane’

Andrea Sanguineti is a rising star conductor currently working all over the world and performing a diverse array of repertoire. He was appointed Music Director of the Aalto-Musiktheater and the Essen Philharmonic Orchestra and has also conducted at the Opéra National du Rhin, Opera Zurich, Deutsche Oper am Rhein, Landestheater Innsbruck, Teatro Sao Carlos Lisboa, Opéra de Rouen, and Kissinger {…}

Q & A: Soprano Amy Ní Fhearraigh On Her Rising Profile & Her Role As Cora In The World Premiere Of The Curing Line At The Kilkenny Arts Festival

(Photo: Roberto Santos-Luy) Having just watched the splendid Irish soprano Amy Ní Fhearraigh, one of Ireland’s rising stars, in her role debut as Donna Anna in Blackwater Valley Opera Festival’s production of “Don Giovanni” as well as being scheduled to review her next role as Cora in the world premiere of Michael Gallen’s award-winning new opera “The Curing Line” at {…}

Q & A: Mattia Oliveri on ‘Eugene Onegin,’ Santa Fe Opera & Returning to the Metropolitan Opera

Italian baritone Mattia Oliveri has become one of the most in-demand singers of his generation performing at major opera houses including the Teatro alla Scala, the Metropolitan Opera, Wiener Staatsoper, Semperoper Dresden, Teatro Massimo in Palermo and Opéra de Paris. He has become renowned for his Italian repertoire in particular the Bel Canto works and has slowly moved into heavier {…}

Q & A: Brenden Gunnell on the Role of Tristan & New CD Release of ‘The Marshes of Glynn and Song of the Prairies’ by Andrew Downes

(Photo: Michael Cockerham) Brenden Gunnell is standing at the threshold of one of opera’s greatest challenges: Wagner’s “Tristan und Isolde.” After building his career through the major heldentenor repertoire, he now sees Tristan not simply as the next role, but as the culmination of years of careful preparation. At the same time, he is championing lesser-known music with the release {…}

Q & A: Riccardo Frizza on ‘I Puritani,’ his Royal Opera House Debut, Bellini & ‘Aida’

Riccardo Frizza, the Musical Director and Artistic Director of the Bergamo Donizetti Opera Festival and Honorary Conductor of the Hungarian Radio Symphony Orchestra and Choir, is widely regarded as one of today’s leading conductors, regularly collaborating with the world’s most prestigious opera houses. He has conducted at many of the major theaters in the world Teatro Comunale, Bologna, ABAO Bilbao {…}

Q & A: Freddie de Tommaso on Recording ‘Marina’ & World Premiering a Verismo Opera

In 1888 Umberto Giordano, composer of famous verismo operas “Andrea Chenier” and “Fedora,” wrote a single act opera with which to enter a competition. Despite its moderate success, the opera was quickly forgotten and was lost to the archives. In February of this year, the unearthed opera, “Marina,” was recorded live at Milan’s Teatro Dal Verme, conducted by Vincenzo Milletarì {…}

Q & A: Frederica von Stade on Performing in Ravinia with Susan Graham, Doing Masterclasses & the Performances She Most Cherishes

Mezzo-soprano Frederica von Stade spent decades among the most celebrated singers of her generation, performing on the world’s leading stages, including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Los Angeles Opera, Teatro alla Scala, Royal Opera Covent Garden, the Vienna State Opera, and the Paris Opera. Though she stepped back from full time performing in 2010, retirement {…}

Q & A: Lisette Oropesa on ‘I Puritani’s’ Elvira & Her Vast Repertoire

(Photo: Steven Harris) Lisette Oropesa is a widely acclaimed lyric coloratura soprano who is one of the most in-demand artists on the world’s stages. Her expansive repertoire includes Gluck, Händel, Mozart, Rossini, Donizetti, Wagner, Verdi, Bizet, Massenet, Bellini and Puccini, among others. She has recorded a continuously expanding discography of studio albums, live recitals, and opera films. Operawire caught up {…}