As a child growing up in growing up in Tel Aviv, soprano Natalia Tsvi loved to sing. She was part of the Neighbors of Chich as a teen, an ensemble with which she performed a lot of music, including classic covers and original musicals all over Israel. For tenor Gilad Paz, it was much the same. He grew up in {…}
(Credits: Charly Hel) OperaWire’s initial interview with Alagna was set to take place after his performance of “Don Carlos” in Paris. But two acts into the performance, he had to withdraw from the performance and also postpone the interview. “I’m sorry we have to postpone,” he warmly said that evening. “I’d better not use my cords today to keep it {…}
(Credit: Matthew Staver) Baritone Malcolm MacKenzie loves playing the bad guys. On his website he notes that Scarpia, the villainous police chief who sexually harasses Tosca before being murdered, is his favorite role. Another of his favorites is the conniving Iago and he was even the first man to take on the role of the vengeful Roger Chillingworth in the {…}
(Credit: Janine Guldener) The Berlin-based mezzo-soprano Bettina Ranch dreamed about a career as a singer since childhood. And while she started off her musical path as a violinist, she eventually made the switch, which has led her to a major vocal career greater than even her dreams could handle. She has been an ensemble member of the Aalto Musiktheater Essen {…}
(Credit: Matt Madison-Clark) Be careful around Zachary James. In his role as the cook in Prokofiev’s madcap “Love for Three Oranges” with Opera Philadelphia, he wielded a lethal ladle. If you were a fan of ESPN’s show, “Great Outdoor Games” you may have seen him handling an ax as a lumberjack, promoting the show in a television commercial. The New {…}
(Credit: Dario Acosta) Sarah Mesko is walking a straight path toward an important career. The Arkansas native has built her success on solid academic training and noteworthy apprenticeships, and has received bundles of prestigious awards in return. She has performed with scores of professional companies in the United States, including the Met where she has paid her dues as a {…}
(Credit: Alexey Kostromin) When you think of Verdi mezzo, there are few singers that fit that bill as well as Russian artist Ekaterina Semenchuk. For years now, she has been the go-to mezzo-soprano in Verdi’s major roles, finding major triumphs at such venues as the Opéra National de Paris, the Teatro Real de Madrid, the Staatsoper Unter den Linden, the {…}
Sherezade Panthaki is one of today’s most recognized Baroque singers. An acknowledged star in the early-music field, she has performed with some of the most prestigious Baroque and early period orchestras, as well as with such prominent conductors as Nicholas McGegan, Masaaki Suzuki, Mark Morris, Nicholas Kraemer, Matthew Halls, Paul Agnew, and Lawrence Cummings. This weekend, Sherezade Panthaki returns to {…}
(Credit: Rokas Baltakys) In just a little over a year or so, Soprano Asmik Grigorian has jumped into the spotlight and remained at the forefront of the opera world. The big reason for the soprano’s rise to the forefront is her now iconic interpretation of “Salome” at the Salzburg Festival. “The Lithuanian soprano captivates the audience as much as she {…}
“This is the greatest miracle of science and technology,” said lyric soprano Dr. Anne Walker in a recent chat with OperaWire. “I’m not sure where it’s going, but I know it’s not for nothing.” Though her destination may be uncertain, she has come from a place of feeling isolated and ashamed. Artistically Compromised Over 15 years ago, before she turned {…}
(Credit: © ROH Photographer: CLIVE BARDA) The influx of new and younger opera stars is always a major touchstone of the art form across generations. But the old guard is a key part of their development, presenting a gateway between traditions of the past and today’s trends. Italian bass Maurizio Muraro loves being a part of this bridge. He has {…}