Q & A: Sitar Player Rajib Karmakar on his INSERIES Debut & the Tradition of Indian Music in ‘The Song of Sakuntala’

Long before the curtain rises on “The Song of Sakuntala,” a new opera set to premiere at INSERIES, the sitar has already been telling stories. For thousands of years, its shimmering, many-stringed voice has carried the weight of Indian classical music: its ragas, its spiritual longing, its intricate rhythmic cycles. Now that ancient voice will be at the center of {…}

Q &A: Sara Cortolezzis on her Royal Opera House Debut, Verdi & the Challenges of Being a Young Artist

Winner of the first prize “Carlo Bergonzi” and the special prize “Renata Tebaldi” for the best female voice at the 58th Voci Verdiane International Singing Competition in Busseto in 2022, Italian soprano Sara Cortolezzis’ star is on the rise. Since taking that top prize, her career has expanded rapidly, with high-profile role debuts as Leonora in “Il Trovatore” at the {…}

Q & A: Baritone Roderick Williams On His Forthcoming Recital At The Music At Paxton Festival & Woking With The Innovative Composer Michel van der Aa

(Photo: Theo Williams) In July, Paxton House will host the 2026 edition of its festival dedicated to chamber music in all its forms, including solo recitals and small ensembles of instrumental and vocal music from the classical repertoire spanning across the centuries. Yet it is far more than a specialist classical music festival; there are also many cross-over events, including {…}

Q & A: Alessandra di Giorgio on the Importance of Drawing From Personal Experiences That Give Depth to Her Work

Alessandra di Giorgio is a critically acclaimed soprano spinto whose rich vocal timbre and dramatic intensity have already earned her a place on some of the world’s most prestigious stages. Her repertoire spans some of the most demanding soprano roles in the operatic canon, including Amelia (“Un Ballo in Maschera”), Giulietta (“Les Contes d’Hoffmann”), Manon (“Manon Lescaut”), Brünnhilde (“Siegfried”), Lady {…}

Q & A: Shepherd School of Music on Staging Verdi’s ‘Falstaff’ and Supporting the Future of Opera

On April 17, 2026, the Shepherd School of Music at Rice University raised the curtain on their mainstage production of Verdi’s comedic opus, “Falstaff.” Celebrating its 50th anniversary, the school has grown from its inception as Rice’s music department through the support of community partnerships and donors, and has developed into a vibrant and effective center of musical education and {…}

Q & A: Barbara Hannigan on Performing with the New York Philharmonic & ‘La Voix Humaine’

Barbara Hannigan is one of the most unique artists in the opera world. Not only is she a leading soprano, but she also one of the leading conductors in the industry. Her versatile artistry has allowed her to develop, over the past three decades, major artistic partnerships with the world’s foremost musicians, composers, directors, choreographers, and ensembles. Among those collaborators {…}

Q & A: Tenor Benjamin Bernheim on Lincoln Center Recital, Verdi Requiem Tour & Future Projects

(Photo Credit: Julia Wesely) On April 21, Benjamin Bernheim makes his return to New York City. The famed tenor, who last performed in the Big Apple in the September 2024 production of “Les Contes d’Hoffmann,” will take to the stage at Alice Tully Hall alongside long-time collaborator Carrie-Ann Matheson to present a recital program featuring works by Duparc, Tchaikovsky, Bizet, {…}