(Credits: Michael Cooper / Boston Symphony Orchestra official website / Jiyang Chen / Fay Fox OperaVision has announced, in collaboration with Opera Europa, Opera America, Ópera Latinoamérica, and Opera For Peace, the final program for the big World Opera Day Celebration concert on Oct. 25, 2020. The concert is structured in four acts, in four different time zones. The first {…}
OperaVision has released a short film entitled “Violetta’s Ghost.” The short by Max Hoehn showcases Verdi’s famed prelude to “La Traviata” with haunting animated images. The film was made with the participation of Opera Lab Europe. Hoehn was nominated as Best Young Director at the 2016 International Opera Awards, won the 2015 Independent Opera Directing Fellowship, and was a prize-winner {…}
OperaVision has announced the winners of their #OperaHarmony series, as well as details on their upcoming September programming. Running throughout August, #OperaHarmony presented 20 short, digital opera created by artists at home, with audiences voting for their favorite. Winning first prize was “Essential Business,” by composer Judith Lynn, librettist Anna Pool, and baritone Will Liverman. Second prize went to “A {…}
It’s going to be an exciting week with a combination of live streams and other performances being made available digitally for opera lovers worldwide. And while we are at it – get ready for more in coming weeks as opera companies around the world start to embrace digital opera as part of their 2020-21 seasons. Before we kick off our {…}
OperaVision has announced the next parts of its #OperaHarmony series. On August 11, the company will present five new operas including “Wisdom of Stone” by Anne Sophie Duprels; “Essential Business;” “Sleeping & Walking Are Their Names;” “Harold & Keith Attempt To Use Zoom To Discuss The Potential Takeover of Beloved Football Club Newcastle United: An Opera;” and No Room. No {…}
We are reaching an interesting point in the summer for the opera world. Europe has essentially returned to “normalcy” as far as performances go. That also means an increasing lack of online content for operagoers from Europe’s biggest houses. Meanwhile, the rest of the opera world is in a transitional phase. With most companies preparing for digital starts to their {…}
OperaVision has announced the launch of #OperaHarmony, a new online series of digital operas. The organization revealed that the project will unite over 100 opera creators from across the globe to create online operas. The initative was kickstarted by Ella Marchment. The company will stream five short operas every Tuesday throughout August and allow audiences an opportunity to vote on {…}
OperaVision has announced its July schedule featuring several classics from the standard repertoire. The month opens with a 2015 New Zealand Opera production of Puccini’s “Tosca” starring Simon O’Neill in his first major role in his home, Orla Boylan as Tosca, and Phillip Rhodes as Scarpia. Streaming Date: July 3, 2020 The second stream will be the 2020 Nederlandse Reisopera {…}
(Credit: Tristram Kenton / Alastair Muir / Monika Ritterhaus / Jon Persson) OperaVision has announced its programming for the first half of June which will be mainly focused on English-language operas. First up will be Opera North’s production of “Trouble in Tahiti” starring Wallis Giunta and Quirjin de Lang. Tobias Ringborg conducts. Streaming Dates: June 2, 2020 – June 30, {…}
(Credit: Iko Freese / Operavision) OperaVision has announced that its May streaming slate will be dedicated to Russian opera. On May 1, the company will stream the Komische Oper Berlin’s production of “Eugene Onegin.” The opera stars Asmik Grigorian, Karolina Gumos, Ales Briscein, and Günter Papendell under the musical direction of Henrik Nánási. The performance will be available for repeat {…}
(Credit: Roberto Ricci) OperaVision is going to keep the opera going throughout the month of April. The streaming service has announced that it will showcase six Italian operas throughout the month. It all kicks off with La Fenice’s “Alceste” on April 3, 2020. The presentation will be available for repeat viewings for six months thereafter. “Guillaume Tell” will start streaming {…}