The Houston Grand Opera has announced its 2019-20 season which includes seven operas, including five new productions, one world premiere, and one company premiere. The season kicks off with Verdi’s “Rigoletto” in a new production by Tomer Zvulun. The famed Italian work will feature Brian Mulligan in the title role and Mané Galoyan and Arturo Chacón-Cruz as Gilda and the {…}
Th Rossini Opera Festival has announced the complete lineup of the upcoming 2019 editions, The festival will include three opera productions and a number of operatic concerts featuring some of the greatest Rossini singers. Main Stage The festival opens with a new production of “Semiramide” by Graham Vick. Michele Mariotti conducts the production, which stars Salome Jicia in the title {…}
The Lyric Opera of Chicago has announced the participation of several singers in the Renée Fleming 25th Anniversary Concert & Gala. The gala, which is set to honor and celebrate Fleming’s extraordinary commitment to Chicago and her unparalleled contributions to the art form, will see Sondra Radvanovsky, Susan Graham, Lawrence Brownlee, Quinn Kelsey, Željko Lučić, Eric Owens, and Christian Van Horn {…}
Now in its third season, “The Crypt Sessions,” continues to bring world-class talent to Harlem’s Church of the Intercession for a night of music produced by Unison Media. July 24’s concert saw leading operatic tenor Lawrence Brownlee, joined by pianists Myra Huang and Damien Sneed, letting loose with a variety of songs from Classical, Jazz, Gospel, and more. Brownlee began {…}
The Metropolitan Opera’s annual Summer HD Festival is set to return for its tenth time this summer. The series, which will begin on August 25, 2018, through Sept. 3, 2018, will present 10 recent performances from the company’s acclaimed Live in HD series of movie theater transmissions. The series will also present the Marx Brothers’ classic film, “A Night at the Opera,” which will {…}
Being one of the leading tenors in the operatic world, Lawrence Brownlee is no stranger to interpreting works of art and lending them his own brand of beauty and meaning. On April 24, Brownlee took to Carnegie Hall to deliver a performance nearer and dearer to his heart, and one that places a firm finger on the pulse of tensions {…}
( Photo credit: Manfred Brückels) The Deutsche Oper Berlin has announced its 2018-19 season featuring seven new productions and numerous revivals. The season will also include some of today’s biggest stars as well numerous ensemble members. Here is a look! New Productions Johan Reuter takes on the title role in Berg’s “Wozzeck” in a new production by Ole Anders Tanberg’s {…}
The Staatsoper Unter den Linden Berlin has announced its 2018-19 Season, featuring numerous new productions and revivals featuring some of today’s most popular artists and conductors. Here is a look at what to expect next season. New Productions (in alphabetical order by title) Sonya Yoncheva headlines a new production of Cherubini’s “Medea” with Andrea Breth directing. Daniel Barenboim conducts the star-studded cast, {…}
The Washington Concert Opera has announced its 2018-19 season, showcasing two rare gems. The season opens with Gounod’s “Sapho,” a work known for its famous aria “O ma lyre immortelle.” Kate Lindsey takes on the title role with Addison Marlor rounding out the cast, Performance Date: Nov. 18, 2018 Lawrence Brownlee headlines Rossini’s’ “Zelmira,” a work that has been showcased {…}
Joyce DiDonato, Lawrence Brownlee, and Pretty Yende will join an array of superstars for a new project “Hopes and Dreams: The Lullaby Project” for Decca Gold. The new CD which was inspired by the Lullaby Project, a program of Carnegie Hall’s Weill Music Institute which pairs pregnant women, new mothers, and family members with professional artists to write and sing personal lullabies {…}
Is art merely a form of entertainment or can it serve a greater purpose? Many people believe the latter is true although it’s possible that they are deluding themselves in order to partake in something they enjoy. It’s a question that can be debated forever. It came to mind for me this past week when I attended Lawrence Brownlee’s “Cycles {…}