(Credit: © RIEGER Bertrand / hemis.fr / Hemis) Opéra de Toulon has announced the cancelation of Jacques Offenbach’s opera “Le voyage dans la lune.” The opera was set to run between April 23 and April 27, 2021 for a total of three performances. The cast for the opera included Sheva Tehoval, Jennifer Michel, Francis Dudziak, Violette Polchi, Eric Vignau, Thibaut {…}
(Credit: Studioline Photography / Xavier Sabata official website / Ascolta Artists official website) The Orquesta y Coro Nacionales de España has announced that it will perform a version of Carl Orff’s “Carmina Burana” for two pianos and the percussion on Feb. 12-14, 2021. The showcase will be presented by the Coro Nacional, and the percussion section of the Orquesta Nacional {…}
( Credit: Gunnar Geller) The Komische Oper Berlin has announced that it will remain shut down until at least Easter 2021, due to continued concerns over the spread of COVID-19. The opera house has officially stated that the productions of Jean-Philippe Rameau’s “Les Boréades,” George Enescu’ s “Œdipe,” and Jacques Offenbach’s opera “Orphée aux enfers” will be postponed until future {…}
(Credit: Studioline Photography) The Gran Teatre del Liceu has announced that soprano Elena Sancho Pereg will perform the role of Stella in the upcoming production of Offenbach’s “Les Contes d’Hoffmann” on Jan. 18, 19, 25, 28 & 31, 2021. Soprano Adriana González must spend 10 days in preventive isolation, in accordance with the COVID-19 regulations. González will perform the role {…}
(Credit: http://www.avantartmagazin.com/) Famed Serbian mezzo-soprano Biserka Cvejić has died at the age of 97. Cvejić performed over 70 roles during throughout her renowned career, including Bizet’s “Carmen,” which became one of her calling cards. Other major roles included Eboli in Verdi’s “Don Carlos,” Amneris in “Aida,” Ulrica in “Un Ballo in Maschera,” Azucena in “Il Trovatore,” Charlotte in Massenet’s “Werther,” {…}
(Credit: Gran Teatre del Liceu official website) Tenor Celso Albelo will be performing the New Years concert with the Orquesta Sinfónica de Las Palmas. Due to COVID-19 measures in Spain, a total of four performances will be offered on Dec. 26, 27, and 28 2020, with two concerts on Dec. 27. Albelo will be joined on stage by singers Patricia {…}
(Credit: © Dario Acosta) Soprano Anna Netrebko will perform a double recital at the Philharmonie de Paris on Nov. 11, 2020. The soprano will give the first recital at 5:00 p.m CET, and the second one will follow at 8:30 p.m. at the Grande salle Pierre Boulez. Anna Netrebko will be joined onstage by the mezzo-soprano Elena Maximova. Giovanni Andrea Zanon {…}
(Credits: Todd Rosenberg / © Marco Borrelli / OnP / Sarah Bousasse) L’Opéra Comique in Paris has announced its 2021 season. Here is the full slate. Jean-Joseph Cassanéa de Mondonville’s “Titon et l’Aurore” will feature Reinoud Van Mechelen, Gwendoline Blondeel, Julie Roset, Emmanuelle de Negri, Marc Mauillon, and Renato Dolcini. William Christie will conduct the production by Basil Twist. The performances {…}
(Credit: Opus 3 Artists official website) The Bayerische Staatsoper has announced that the Italian bass-baritone Alex Esposito has been awarded the honorary title of the Kammersänger of the state of Bavaria. Esposito is regarded as one of the most talented opera singers of his generation. He has appeared on the leading stages, including Teatro alla Scala, Wiener Staatsoper, Royal Opera {…}
Glyndebourne has announced its fall and winter programming, which wil be presented before a live audience as the organization reopens its doors to the public. Opening the season will be “In the Market for Love,” a new staging of Offenbach’s “Mesdames de la Halle” done by Stephen Plaice, and conducted by Ben Glassberg, Principal Guest Conductor for the Glyndebourne Tour. {…}
(Photo Credit: Lizelle de Wit) The COVID-19 pandemic had a huge impact for many opera singers and companies all over the world. Not only were performances canceled left and right, but there were concerns over when and how singers might be able to get back on the operatic stage. As the months passed by, we saw online performances, socially distanced {…}