Top 7 Operas to See This Weekend – International (11/23-25)

This weekend, it’s all about new productions. From South America to Europe, three of Verdi’s greatest opera are getting new productions. Meanwhile, Saint-Saëns’ masterpiece is getting a rare performance while the Festival Donizetti is in full swing. Check it out. La Traviata – Teatro Municipal Enrique Buenaventura, Colombia Federico Figueroa directs a new production of “La Traviata” in Cali starring Gabriela {…}

CD/DVD– Week of May. 21: Harmonia Mundi Releases Three CDs

Harmonia Mundi dominates this week’s releases with three rarely performed pieces and all-star casts. Here is a look. Schubert Mass Harmonia Mundi will release Schubert’s Mass in A Flat featuring Anke Vondung, Anna Korondi, Andreas Karasiak, and Kay Stiefermann. The recording features the Orchestre des Champs-Elysse and conductor Herreweghe. Dido and Aeneas Purcell’s “Dido and Aeneas” stars Lynne Dawson, Rosemary {…}

Sonya Yoncheva, Valery Gergiev & Gerald Finley To Be Featured At The Philharmonie De Paris’s 2018-19 Season

The Philharmonie de Paris has announced its 2018-19 season filled with numerous concerts and operatic selections. The season will see a number of international stars and orchestras as guest artists to this important Parisian hall. Here is a look at the vocal highlights. Valery Gergiev and the Mariinsky Orchestra continue their exploration of the Ring Cycle with “Siegfried.” The opera {…}

Royal Opera House 2017-18 Live Cinema Preview: Calleja, Pieczonka Star in Puccini’s ‘Tosca’

The Royal Opera House will present Puccini’s “Tosca” live in cinemas on Feb. 7, 2018. The performance will be broadcast around the world and stars Adrianne Pieczonka in the title role, Joseph Calleja as Mario Cavaradossi, and Gerald Finley as the villainous Scarpia. Regarding the showcase, OperaWire praised the production by Jonathan Kent noting, “It’s humorous to think that many {…}

Royal Opera House 2017-18 Review – Tosca: Pieczonka, Calleja, Finley Don’t Quite Mesh in Revival of Jonathan Kent’s Classic Produciton

There are instances in which it’s difficult for opera-lovers to remember “Tosca” is no comedy. From that perspective it is easy to recall the legend of a certain prima donna who once bounced back from the trampoline that was supposed to break her fall as Tosca killed herself. Floria Tosca is not one of opera’s most pitiable characters. She is {…}

Metropolitan Opera 2017-18 Review – Thaïs: Ailyn Pérez & Gerald Finley Must Be Heard In Gorgeous Revival of Massenet Masterpiece

“The voice must be heard.” For the last two years, this has been the calling card for the Metropolitan Opera’s marketing department, a call to just come and listen to opera as it is intended to be. An invitation to experience something that can’t be experienced anywhere. For many, that tagline has been particularly emblematic of the vocal wizardry that {…}