The London Philharmonic has announced its 2020-21 season featuring a number of important soloists around the world. For this article we will highlight the vocal performances. The season opens with a program entitled Fantastic Symphony with Edward Gardner leading a program of works by Tchaikovsky, Lutosławski, and Berlioz. Gerald Finley will be the featured soloist. Performance Date: Sept. 23, 2020 Edward {…}
The San Francisco Symphony Orchestra’s 2020-21 season which will feature a number of high-profile vocal performances. Esa-Pekka Salonen opens the season with San Francisco Symphony Collaborative Partners reimagining the music of J.S. Bach and Sibelius’ Symphony No. 1. Performance Dates: Oct. 2 & 3, 2020 Esa-Pekka Salonen conducts Bartók’s Piano Concerto and “Bluebeard’s Castle.” Yefim Bronfman performs the piano concerto {…}
(Credit: Richard Termine / Metropolitan Opera) On Feb. 15, 2020, the Metropolitan Opera raised the curtain on this season’s run of Mozart’s “Così Fan Tutte.” Phelim McDermott’s dazzling Coney Island production added a large amount of spectacle to what is the least staged of the operas born from the partnership of Mozart and Da Ponte. The afternoon saw a solid {…}
It’s Valentine’s Day weekend and there is arguably no art form that captures the essence of love moreso than opera. With that in mind, we looked around and picked operas that probably won’t cater to ideal feelings of love, but are powerful in their own rights and would probably make for unbelievable nights at the opera. Frida – Anchorage Opera, {…}
(Photo: Paola Kudacki / Met Opera) The Metropolitan Opera revealed its 2020-21 season on Wednesday afternoon. Among the major announcements were the company’s schedule for its ever-popular Live in HD slate. Here is a look at the list of performances that will be broadcast to audiences around the world. Aida (Oct. 10, 2020): Yannick Nézet-Séguin conducts Michael Mayer’s new production {…}
(Credit: Jonathan Tichler / Metropolitan Opera) The Metropolitan Opera is set to revive its new production of “Così Fan Tutte” for the first time since its initial run back in 2018. With the exception of Serena Malfi and Ben Bliss, who were among the singers to open the production, every other singer in this run is new to Phelim McDermott’s {…}
(Credit: Ken Howard / Met Opera) The LA Philharmonic has announced its 2020-21 season featuring a number of important stars and conductors. For the purposes of this article, we will only highlight vocal performances. The season opens with Grieg’s Piano Concerto and Peer Gynt selections with Gustavo Dudamel conducting Lang Lang. The program also includes John Adams’ Short Ride in {…}
(Credit: Jiyang Chen/ Robert Workman) Wigmore Hall has announced its 2020-21 Season with a number of recitals from some of the world’s greatest singers. The season will include a plethora of performances, including chamber music, song, piano, early music, contemporary music, and jazz. For this article, we will highlight singers. Some of the biggest highlights of the season will include {…}
(Credit: Catherine Ashmore) David McVicar’s new production of Britten’s late masterpiece “Death in Venice” is a brooding and elusive meditation on the tribulations of aging creativity and its relationship to death and desire. Peter Pears confided that “Ben is writing an evil opera, and it is killing him,” which no doubt prompts cured autobiographical readings of the work. But here {…}
Europe dominates this weekend’s operas to see, but we also have a major recommendation over in Muscat where a noted diva will take on an iconic bel canto role. Here are the operas we think you need to see this weekend. Le Nozze di Figaro – Théâtre des Champs-Elysées, France Acclaimed filmmaker James Gray makes his opera debut directing Mozart’s {…}
(Credit: Gran Theatre del Liceu/Bayerische Staatsoper/Metropolitan Opera) This weekend is stacked with a number of new productions and revivals with some of the biggest stars. Here is a look at seven works we think are unmissable. Guillaume Tell – Chorégies d’Orange, France Nicola Alaimo takes on Rossini’s final opera, a work that has become his signature. He is joined by {…}