Diana Damrau has announced her upcoming album entitled “Tudor Queens.” The new recording sees the coloratura soprano taking on the crowns of three different Tudor queens, the central characters in operas by Donizetti. In the new album, she performs the final scenes of Donizetti’s “Anna Bolena,” “Maria Stuarda,” and “Roberto Devereux.” Damrau is accompanied by Sir Antonio Pappano and the {…}
The Opernhaus Zürich has announced it will reopen its doors in July. The company announced that following the Swiss government’s regulations in order to minimize the spread of the coronavirus, the theater will showcase recitals with a maximum of 300 audience members. The recitals, which will begin on July 2 and run through July 12, will feature such artists as {…}
The Metropolitan Opera has announced Week 9 of its night streams. This coming week features some of opera’s greatest stars including Jonas Kaufmann, Plácido Domingo, Joan Sutherland, and Jessye Norman. Monday, May 11 – Massenet’s Werther Starring Lisette Oropesa, Sophie Koch, Jonas Kaufmann, and David Bižić, conducted by Alain Altinoglu. From March 15, 2014. Tuesday, May 12 – Thomas Adès’s The Tempest {…}
(Credit: Sony Classical/Baden-Baden/Tatiana Vlasova) The Konzerthaus Dortmund in Germany has unveiled its 2020-21 season. For the purposes of this article, our focus will be on vocal or operatic performances. The season opens with Haydn’s “Die Schöpfung” with soloists Robin Johannsen, David Fischer, and Florian Boesch. The Collegium Vocale Gent and Royal Concertgebouw Orchestra is led by Philippe Herreweghe. Performance Date: {…}
Over the last month we have seen companies shift from canceling their seasons, to getting on the streaming bus, to now starting to bring opera stars together for major concerts. The Maggio Musicale Fiorentino’s own showcase is here on May 1 and here is everything that you need to know about it. What The Maggio Musicale Fiorentino is set to {…}
(Credit: Jason Homa/Javier del Real/Jiyang Chen) The Maggio Musicale Fiorentino has announced an at home concert featuring some of the world’s greatest opera stars. The concert on May 1, which was organized by the company’s sovrintendente Alexander Pereira, will showcase Cecilia Bartoli, Vittorio Grigolo, Roberto Alagna, Diana Damrau, Ludovic Tézier, Francesco Meli, Lisette Oropesa, Luca Salsi, Thomas Hampson, Krassimira Stoyanova, {…}
Another week in quarantine, but yet another week of exciting opera options. For those who have followed this series, you know that the 10 we usually recommend are a mixed bunch, with the intention of filling all diverse opera appetites with a wide-ranging menu. This week is no different and perhaps, because of the unique options on offer, it might {…}
The Metropolitan Opera’s At-Home Gala was one of the most hotly anticipated performances of the first half of 2020; one might argue that given its sheer star power, the showcase, which was announced just two weeks ago, was more anticipated than any performance the Met had lined up as part of its regular season. While the Met initially reneged on {…}
The Teatro alla Scala has unveiled its streaming slate all the way up to May 8, 2020. All performances can be viewed on Rai5 or RaiPlay. On April 28, 2020, the company will present a 2014 showcase of Verdi’s “Il Trovatore” conducted by Daniele Rustioni. The cast includes Marcelo Álvarez, Maria Agresta, Franco Vassallo, and Ekaterina Semenchuk. On April 29, {…}
The Metropolitan Opera’s At Home Gala is undeniably one of the most hotly anticipated event since the social distancing measures kicked off just a little over one month ago. The event is set to feature close to 40 artists from around the world and recent reports indicate that a great deal of preparation has gone into making this a memorable {…}
Credit: Spinto/Javier del Real/Nicola Allegri/Julian Hargraves/ Gregor Hohenberg / Sony Classical While the continued quarantine is undoubtedly becoming increasingly challenging for many, there is some relief in knowing that there is opera to check out on a daily basis. What’s more the offerings are becoming increasingly diverse in their range of repertory and content, which allows opera audiences to curate unique {…}
