On July 17, “The Lord of Cries” will have its world premiere at the Santa Fe Opera. The work by real-life couple Mark Adamo and John Corgliano is said to be a juxtaposition of Bram Stoker’s “Dracula” and “The Bacchae” by Euripides. James Darrah will direct the work which will star Anthony Roth Costanzo and David Portillo, among others. OperaWire {…}
Bel Canto, Verismo, Verdi, baroque and French are all the variety of repertoire that Daniela Barcellona has performed throughout her legendary career. It is with Rossini where she began and which has led her to become one of the great interpreters of the Verdi works such as “Falstaff.” The mezzo recently finished a production of “Falstaff” in the role of {…}
Maltese tenor Joseph Calleja is considered one of the great voices of his generation. Sometimes noted as the “Golden Voice,” he has gone on to perform diverse repertoire around the world, while recording five solo recital albums, and appearing several HD performances. Over the past years, he has started to move in the dramatic repertoire and is currently making his {…}
(Photo: Josef Fischnaller) Fatma Said has had a remarkable career. She was the first Egyptian vocalist to perform at Teatro alla Scala in Milan, where she sang the role of Pamina in Mozart’s “Die Zauberflöte.” She has performed in both opera and concert settings in some of the leading opera houses throughout Europe and is an artistic representative for her {…}
Last month, Hector Armienta’s animated opera “Mi Camino” premiered for audiences around the world. The work represented one of the first animated operas in the industry and showcased the stories of migrant Latino farmworkers during the pandemic. The Mexican American composer has garnered recognition around the United showcasing works with the Pacific Symphony, Oakland East Bay Symphony, and Western Stage {…}
(Photo: Alexander Thompson) Sonya Yoncheva has always played by her own rules. She’s never allowed anyone to box her in and has never followed a specific route. She has championed rarely performed like “Il Pirata,” “Siberia,” and “Medea” among others throughout her career, experimenting with all kinds of directors and often arriving at some truly immersive and original interpretations of {…}
(Credit: Michael Cooper ) This summer Sondra Radvanovsky returns to the Teatro Real to close out the season in “Tosca” after opening it to great acclaim in “Un Ballo in Maschera.” The season has seen the soprano in Spain performing at La Coruna and giving highly acclaimed performances at the Liceu in a gala with Piotr Beczala and Donizetti’s Three {…}
Scottish Opera turns 60 next year, and this year marks the 50th anniversary of its Outreach and Education program, arguably the longest-standing formal company outreach of its kind in the opera world. The department’s activities range from Paisley’s 2018 “Pagliacci”—performed in a tent with a community choir, and for which designer Tim Meacock won the Best Designer Award at the {…}
(Credit: Elena Cherkashyna) On June 21, Pretty Yende was detained at the French airport on her way to the Théâtre des Champs Elysées for the fourth performance of a new critically acclaimed production of “La Sonnambula.” She was returning from Milan where she been processing documents and when she arrived back in France, police officers took her to a cell {…}