Q & A: Soprano Elise Caluwaerts On Her Love For Mozart, Alma Mahler’s Songs and The Future of Opera

(Credit: Lalo Gonzalez) Elise Caluwaerts simultaneously studied at the conservatories of Antwerp with Lucienne Van Deyck (classical singing) and Brussels (early music), followed by the Royal Conservatory in The Hague, where she graduated cum laude with Diane Forlano. She took master classes with Peter Kooij, Elly Ameling, David Wilson Johnson, Jozef De Beenhouwer and Gemma Visser. She also coached in {…}

Q & A: Gerald Finley & Susan Bullock on Theatre of Sound’s ‘Bluebeard’s Castle’

(Credit: Sim Canetty Clarke/ Christina Raphaelle) Gerald Finley and Susan Bullock are two world-class artists who have performed at all the major opera stages the world over. Collectively, they have appeared at The Metropolitan Opera, the English National Opera, the Royal Opera House Covent Garden, Wiener Staatsoper, Canadian Opera Company, Carnegie Hall, Opera North, La Scala, Sydney Opera, La Monnaie, {…}

Q & A: Amy Crankshaw on Pauline Viardot, ‘Cendrillon’ & Orchestrating the Iconic Work

On Nov. 1, 2021, Guildhall School’s Opera will present a double bill of Bizet’s “Le Docteur Miracle” and Pauline Viardot’s “Cendrillon.” The production will fulfill Viardot’s desire with a new chamber orchestration by Amy Crankshaw, Guildhall doctoral composer and a graduate of the school’s MA Opera Making & Writing program presented in an association with the Royal Opera House. The {…}

Q & A : Conductor Marlon Daniel on Developing Young Talent in Cuba through his New Discovery Opera Project

In most countries around the world, once you leave the conservatory setting, you have a number of options through which you can build your career. Whether it be working with independent companies, engaging with young artist programs, or even doing residencies, there are options, albeit competitive ones, available to the burgeoning opera artist. In some countries, there are even the {…}