Scottish Opera will present a new production of Puccini’s “Turandot,” directed by Sir David McVicar. The production, which opens on Oct. 22 at Theatre Royal Glasgow before touring to Festival Theatre Edinburgh from Nov. 11 to 22, is presented in a co-production with Irish National Opera. This will also mark the UK-staged premiere of Franco Alfano’s original completion of the {…}
Boston University musicologist Deborah Burton has published “The Finales of Turandot: Puccini’s Last Act,” a study examining the various completions of Puccini’s unfinished opera from 1925 to the present. The 304-page book, out Sept. 21, 2026, from Routledge, explores the social and musical contexts behind each completion, including Franco Alfano’s 1925 version written under fascist Italy, Luciano Berio’s 2001 finale {…}
(Photo: Arena di Verona) There are few operatic spectacles more perfectly suited to the Arena di Verona than Franco Zeffirelli’s “Turandot.” Puccini’s final opera demanded, almost from its inception, something larger than life: an imperial court, a condemned prince, a populace intoxicated by bloodlust, an icy princess elevated to quasi-divine status and, above all, the theatrical machinery of fairy tale. {…}
(Photo Credit: Geoffroy Schied) “Turandot” represents Puccini’s final and arguably his greatest operatic achievement. In contrast to his most frequently performed masterpieces – “La Bohème,” “Tosca,” “Madama Butterfly,” and “Manon Lescaut”- it is less reliant on sentimentality. Its orchestral writing is considerably richer and more sophisticated, while its orientalist palette is even more fully realized than that of “Madama Butterfly.” {…}
(Credit: Raftermen photography) Trigger warning: discussions of sexual assault. The Atlanta Opera (TAO) has given us a new way to stage one of the 21st century’s most performed operas, Puccini’s “Turandot.” Premiering on 25 April 2026, the 100th anniversary of the work’s original premiere, the edits were light. The only significant changes were an excision of most of Franco Alfano’s {…}
(Jonathan Tichler / Met Opera) On May 19, the Metropolitan Opera revived Puccini’s “Turandot” for the second time in the season. Known for its epic score and its famed melodies, the opera remains a favorite with Met audiences especially due to Franco Zeffirelli’s production. For this second run, the Met assembled a cast of powerhouses that on paper seemed right {…}
Tuscan artist duo Imaginarium will embark on a world tour celebrating the centenary of Puccini’s “Turandot” with a multimedia performance. “Turandot delle Stelle,” which blends live music, hand-drawn illustration, and digital scenography, is conceived by Francesca Pasquinucci and Davide Giannoni. The tour is being realized in collaboration with Italian Cultural Institutes and embassies worldwide, and carries the patronage of the {…}
Bluebelldisc Music releases the digital single “NESSUN DORMA” from Act three of Puccini’s “Turandot” featuring Vittorio Grigolo. In a press release the tenor said, “Today, this aria should not be viewed merely as the expression of love for another person, but as the embodiment of a deeper idea: the meaning of risk. Nessun dorma! – like the unknown prince Calaf, who {…}
(Photo Credit: Brescia/Amisano) In 2026 Teatro alla Scala once again presents “Turandot.” This is one of the house’s emblematic titles, this time reviving the production by Davide Livermore, originally conceived in 2024 to mark the centenary of Giacomo Puccini’s death. This revival gains additional significance as it joins the celebrations of the hundredth anniversary of the opera’s world premiere in 1926. {…}
The Atlanta Opera is set to present a new production of Puccini’s “Turandot.” Directed by General and Artistic Director Tomer Zvulun, the opera will be conducted by Principal Conductor Iván López Reynoso. The cast will include Angela Meade in the title role alongside tenor Piero Pretti as Calaf, and Juliana Grigoryan as Liù. The cast will be rounded out by Peixen {…}
Pacific Symphony will present Puccini’s “Turandot” in a semi-staged production at the Renée and Henry Segerstrom Concert Hall in Costa Mesa, California this April. Dramatic soprano Marjorie Owens takes on the title role, with tenor Limmie Pulliam as Calaf, Alisa Jordheim as Liu, and Raymond Aceto as Timur. Hunter Enoch, Nicholas Nestorak, and David Blalock appear as Ping, Pang, and {…}
