Seattle Opera 2019-20 Review: La Cenerentola
Let’s face it: operatic comedy is extremely hard to pull off. When was the last time you saw a comic opera production that was truly, authentically funny? Australian stage director Lindy Hume came about as close as one can to achieving this in Seattle in 2016 with her outlandish “Le Comte Ory” (retitled for marketing purposes as “The Wicked Adventures {…}