(Credit: Metropolitan Opera official website) The Metropolitan Opera House will stage Wagner’s epic tetralogy “Der Ring des Nibelungen” in a brand new production by the British theatre and opera director Richard Jones. Per an article from the New York Times, the Metropolitan Opera House will begin presenting Jones’ production in 2025, and will produce full cycles by the end of {…}
(Credit: Marty Sohl / Met Opera) On Nov. 9, 2021, the Metropolitan Opera will revive Franco Zeffirelli’s classic staging of Puccini’s “La Bohème.” The production is the all-time most-performed staging and will celebrate its 40th anniversary of its 1981 premiere. This season the Met will feature South Korean conductor Eun Sun Kim, who became music director of San Francisco Opera {…}
The Metropolitan Opera Orchestra has announced the death of former Principal Horn, Howard T. Howard. Howard died on Oct. 30, 2021 after a long battle with cancer. The horn player began his music studies at the age of five playing piano and began playing French horn at the age of 14. He went on to receive a bachelor’s in music {…}
(Credit: Evan Zimmerman) On Nov. 2, 2021 the Metropolitan Opera presented the sixth performance of this season’s production of Puccini’s classic “Turandot.” Zeffirelli’s 1987 production continues to delight audiences with its sumptuous and immersive set. Tuesday’s show saw the opera’s leading roles reprised by Christine Goerke and Yusif Eyvazov, with artists and orchestra under the baton of conductor Marco Armiliato. {…}
The Metropolitan Opera has announced a cast change for its performance of the Gershwins’ “Porgy and Bess” on Nov. 3, 2021. The company noted that Maria will be sung by Tichina Vaughn, replacing Denyce Graves. Vaughn made her Met debut in 1990 as Lily in “Porgy and Bess” and has performed in “La Traviata” and “Rigoletto.” This season she is performing {…}
(Credit: © Gregor Hohenberg) The Staatsoper Hamburg has announced an upcoming concert by tenor Roberto Alagna. The concert, entitled “THE ART OF Roberto Alagna,” will feature music by a wide variety of composers ranging from Händel to Wagner. Alagna will be joined onstage by pianist Morgane Fauchois-Prado. Alagna is broadly regarded as one of the greatest living tenors. His huge {…}
(Credit: Evan Zimmerman) On October 31, 2021, the Metropolitan Opera opened this season’s run of the Gershwins’ “Porgy and Bess.” This revival of James Robinson’s acclaimed, 2019 production saw nearly the entire cast return to Catfish Row for a truly powerful opening night, led by conductor David Robertson. The set featured a rotating, framework of the boarding house which struck {…}
The Metropolitan Opera has announced “Kristin Chenoweth: Christmas at the Met.” The concert, which is slated for Dec. 13, will showcase Tony and Emmy Award–winning superstar Kristin Chenoweth in her long-awaited return to the opera house with a one-night-only holiday concert. Chenoweth will be accompanied by Mary-Mitchell Campbell and direction by Richard Jay-Alexander. Tickets for the concert will be on {…}
(Credit: Gerald Finley official website) Famed Canadian bass-baritone Gerald Finley has joined the roster of the MWA Management. “I am absolutely thrilled to welcome one of my favorite artists to the MWA family. I have always been a huge fan of Gerald Finley’s astonishing artistry and commitment to the art form. It is hard to imagine a more complete artist {…}
(Credit: Stephen Howard Dillon) American tenor Jonathan Tetelman will give two concerts this November with the Orquesta Filarmónica de Gran Canaria. The concerts will feature music by Verdi, Cilea, Puccini, Zandonai, Bizet, Massenet, Ponchielli, and Rossini. Karel Mark Chichon conducts. Tetelman is a rising tenor who has already appeared on the world’s biggest stages, including the Royal Opera House Covent {…}
(Credit: Richard Termine) The Metropolitan Opera opened its revival of Wagner’s masterpiece “Die Meistersinger von Nürnberg” on Tuesday, Oct. 26, 2021 to a half-full hall. I don’t usually bring up audience attendance because it is beside the point in terms of artistic merit and the integrity of performances. But given that we live in a “post-pandemic” world, there is no {…}