(Credit: Opéra National de Paris) The General Director of Opéra National de Paris Alexander Neef has officially confirmed the cancelation of Richard Strauss’ opera “Capriccio.” The opera house has also canceled the whole run of Mozart’s “Die Zauberflöte.” Neef has stated that the stage rehearsals for Verdi’s opera “Il Trovatore” have been discontinued and that the opera house is exploring {…}
(Credit: Fondazione Arena di Verona official website) The Teatro Filarmonico in Italy has announced that it will broadcast a series of events in collaboration with the Municipality of Verona, the Cariverona Foundation and the Verona Philharmonic Academy. The concerts focus on the relationship between Wolfgang Amadeus Mozart and the city of Verona as their central theme. “Mozart, from Austria to {…}
Another big season at the Metropolitan Opera has come and gone. The 2018-19 was a rather fascinating one from a repertory perspective, offering up a wide range of music from some of the greatest composers. The year wound up being a mixed bag of sorts from a quality standpoint with the best performances arguably taking place once the calendar turned {…}
(Credit: Richard Termine / Met Opera) Mozart’s “La Clemenza di Tito” is undeniably one of his greatest operas. The work certainly has its dramatic challenges, but it is hard to look at the score and find one piece that misses the mark. Every single musical number is vibrant, full of life, and unique in its own way. Not even the {…}
Mozart’s “La Clemenza di Tito” has only had 45 performances to date at the Metropolitan Opera. Compared to other major works by the iconic composer, that number is rather low. The opera actually had its Met premiere on Oct. 18, 1984. It’s history with the company has been marked by a wide range of major stars in the three main {…}
Even before the curtain rose on this Los Angeles Opera production of Mozart’s “La Clemenza di Tito” which I saw on March 7th, 2019, I was excited by what I had read in the program booklet. LA Opera Music Director James Conlon’s article, “Clemency, Forgiveness and Love” with its emphasis on Titus’s closing message that “I know everything, absolve everyone {…}
When people talk about classical music, there are usually three composers that they immediately identify as central pillars – Bach, Beethoven, and Mozart. Mozart, born on Jan. 27, 1756, is probably the most renowned of the three in popular culture. He was a famed child prodigy, performing for European royalty by the age of five. His career rocketed and he {…}
Two new CDs and DVDs will be released this week. The first is a world premiere recording from one of last year’s biggest hits and another of an acclaimed new production of one of Mozart’s masterpieces. Here is a look! The (R)evolution of Steve Jobs Mason Bates and Mark Campbell’s “The (R)evolution of Steve Jobs” gets its world premiere recording {…}
Mozart’s “La Clemenza di Tito” was composed and premiered on Sept. 6, 1791, around the time when he also finished his final opera “Die Zauberflöte,” before passing away at the age of 35. “La Clemenza di Tito” was produced to celebrate Leopold II’s coronation as King of Bohemia, an event which sought to ease tensions in the country between the {…}
It’s been a summer of debuts for Russell Thomas and he is about to make yet another one on Thursday, July 27, when he takes on the title role in “La Clemenza di Tito” at the Salzburg Festival. This will be Thomas’ first time singing at the festival in a role that he has previously conquered. The American tenor took {…}
Vesselina Kasarova has had a career filled with many successes all around the world. Her repertoire has been extensive and she has collaborated with many of the great conductors and artists of her generation. To commemorate her birthday on July 18, let’s take a look at some of the recordings and roles that have defined her career and have made her {…}