The Atlanta Opera is set to live stream Puccini’s “La Bohème” on Sept. 20, 2024. The production by Tomer Zvulun and Vita Tzykun will star Kameron Lopreore, Amanda Batista, Luke Sutliff, Cadie J. Bryan, Allen Michael Jones, David Crawford, Andrew Nolen, and Levi Adkins. The work is being presented at the Tara Theatre directly from Pullman Yards. The “Bohème” is {…}
(Credit: Robert Shomler) Opera San José is set to perform Puccini’s “La Bohème” from Nov. 16 to Dec. 1, 2024. The opera will be performed in time for the holiday season in a production set in Paris at Christmastime in the aftermath of the Great War. The opera will star Artist-in-Residence tenor WooYoung Yoon stars as the poet Rodolfo, opposite sopranos Kearstin Piper Brown and Mikayla Sager alternating as {…}
Knoxville Opera has unveiled its 2024-25 season. The first performance of the season will be an “Opera’s Greatest Hits” concert that honors conductor Robert Lyall. Performance Dates: Sept. 22, 2024 On the opera side of things, first up on the slate is Gilbert and Sullivan’s “The Pirates of Penzance.” The production is directed by Dean Anthony and conducted by Joseph {…}
(Photo credit: Eric Woolsey) No matter the repertory selected, Opera Theatre Saint Louis’s (OTSL) 2024 season would have faced a significant challenge: following their memorable 2023 season and its refreshing inclusion of many singers of color. Surrounding a forgettable “Cosí Fan Tutte,” three productions made maximal artistic impact, including a fine “Tosca” starring Katie Van Kooten and Hunter Enoch as {…}
(Photo: Khalid Al-Busaidi) On October 14th, 2011, the Royal Opera House Muscat (ROHM) opened its doors for its inaugural season with a production of Puccini’s “Turandot,” with the aim of establishing itself as a “centre of excellence in global cultural engagement.” It is a noble and ambitious aim, for sure, but for a country without a tradition of opera, it {…}
Puccini’s “La Bohème” is set to close the Bilbao Opera’s 2023-24 season. The opera will be presented between May 18 and 27 at the Euskalduna Bilbao. Pedro Halffter will lead the Bilbao Orkestra Sinfonikoa in Leo Nucci’s production. The opera will star Miren Urbieta-Vega, Celso Albelo, Manel Esteve and Marina Monzó. José Manuel Díaz, David Lagares, Fernando Latorre en un {…}
San Francisco Opera is set to present “Bohème Out of the Box” this April. The showcase, which will take place on April 13 -14 at Burlingame and then on April 20 – 21 at Alameda, will feature an abridged version of Puccini’s masterpiece with a cast starring Caroline Corrales (Mimì), Christopher Oglesby (Rodolfo), Samuel Kidd (Marcello), Georgina Adams (Musetta), James {…}
The Teatro Regio di Parma has announced the winner of the “La Bohème” competition, which will see a new production during the 2024-25 season. The team La Scatola dei ricordi was announced as the winner at the Teatro Sociale di Como. The team comprises director and costume designer Maria Luisa Bafunno, stage designer Eleonora Peronetti, choreographer Emanuele Rosa, and lighting {…}
Fort Worth Opera is set to perform Giacomo Puccini’s “La Bohème.” The Fort Worth Opera production will be semi-staged, with the Fort Worth Symphony Orchestra and conductor Miguel Harth-Bedoya. The vocal cast will include Elizabeth Caballero (soprano) as Mimì, Alok Kumar (tenor) as Rodolfo, Daniel Scofield (baritone) as Marcello, Meigui Zhang (soprano) as Musetta, Michael Colman (bass) as Schaunard and {…}
The Teatro Regio di Parma has announced the four finalists for its directorial project for Puccini’s “La bohème” for its 2024-25 season. The competition is promoted by the OperaLombardia circuit in coproduction with the Fondazione Teatro Regio di Parma and Fondazione I Teatri di Reggio Emilia, in collaboration with Opera Europa. The Teatro Regio di Parma announced that there were {…}
(Photo: Camilla Greenwell/Royal Opera House) Trailing draggily behind Puccini’s rue and jubilance, this season’s Royal Opera House revival of the tearful “La bohème” appears afraid of the work’s earnestness. Decked out in semi-mockeries of 1830s Paris, Richard Jones’ 2017 production favors episodes of bawdiness at the expense of the Bohemian; endangering its players’ vocal liberties. Perhaps as the result of {…}
