Glyndebourne’ s June 15 performance of “Dialogues des Carmélites” was interrupted by a group of protestors within the theater. The company took to social media to issue a statement apologizing for the disruption. “We are very sorry to everyone whose visit to Glyndebourne was affected by the protest action today [Thursday 15 June]. Our highest priority was the safety and {…}
Glyndebourne has announced that it will add another performance of Mozart’s “Don Giovanni” due to popular demand. Per an official press statement, Artistic Director Stephen Langridge noted, “at a challenging time for the opera sector, it’s been a huge boost to see strong sales for our upcoming Festival. Our new production of ‘Don Giovanni’ is proving particularly popular, having already sold {…}
Photo credit: James Bellorini Composers Lucy Armstrong and Alex Ho have been selected to take part in Glyndebourne’s “Balancing the Score” program. “Balancing the Score” is a three-year-long, part-time residency that supports up-and-coming composers from traditionally underrepresented backgrounds. The composers chosen will live and work in the Glyndebourne opera scene. Participants will also receive an annual bursary and have access {…}
The Glyndebourne Festival has announced a cast change for its production of “Dialogues des Carmélites.” The company said Danielle de Niese has withdrawn from Glyndebourne Festival’s 2023 production. As a result, Sally Matthews will take over the role of Blanche, returning to Glyndebourne after several successful engagements. Matthews is recognized as one of the foremost lyric sopranos of her generation and {…}
Glyndebourne has announced new autumn programming, designed to help audiences stay engaged while introducing new ones to the art form. The move comes as a response to the recent cancellation of its annual tour, following a cut to its funding from the Arts Council England. The program will start in September with two family-friendly “open days” of activities, tours, and {…}
Glyndebourne has announced that three artists will be part of the organization’s Jerwood Young Artists Programme in 2023. The three singers include mezzo-soprano Annabel Kennedy, bass-baritone Michael Ronan, and bass Jamie Woollard. Ronan performed with Glyndebourne in a production of “Les Mamelles de Tirésias” and covered roles in “La Bohème” and “The Wreckers.” He is also a member of the {…}
Soprano Danielle De Niese has publicly spoken out against Meghan Markle’s comments on racism in Britain. De Niese, whose parents are from Sri Lanka and has mixed European heritage, is married to Gus Christie, the executive chairman of Glyndebourne who comes from a white, upper-class British family. “What I think is strange is to get your home country of America {…}
Glyndebourne has announced a series of holiday performances. First up will be performances of Mozart’s Requiem and arias by Joseph Bologne, Chevalier de Saint-Georges. The first part of the concert, which will spotlight Bologne and his opera “The Anonymous Lover,” will feature writer and director Simone Ibbett-Brown as she interweaves stories from the composer’s life. In the second half of {…}
The Glyndebourne Festival has announced it will rethink the way certain offensive operas will be performed. The company said in a statement, “Some operas in our archive reflect the society and norms of previous ages, containing historical opinions and social assumptions which may offend audiences today. Where once exoticism and orientalism in the presentation of non-European cultures were acceptable, we {…}
Glyndebourne is set to perform concerts featuring the music of Joseph Bologne, Chevalier de Saint-Georges. The organization is bringing the music of Saint-Georges and Mozart featuring “The Anonymous Lover” with Mozart’s Requiem. Instead of a traditional concert performance, director Simone Ibbett-Brown will interweave arias, extracts, and ensembles from “The Anonymous Lover” with spoken theatre to bring the opera’s plot and {…}
Glyndebourne is now streaming a Poulenc double bill on its official platform Glyndebourne Encore. Audiences can check out “La Voix Humaine” and “Les Mamelles de Tirésias” in a production by Laurent Pelly. The production premiered during the 2022 festival. Of the staging, The Telegraph said, “‘Glyndebourne’s final offering of the season is both scintillatingly brilliant in its own right and {…}