(Photo credit: Pablo Strong) Glyndebourne has announced the appointment of Laura Jukes to the role of Director of Audiences. Jukes joined the company as the Senior Marketing Officer in 2010. Four years later, she was promoted to Head of Marketing and led Glyndebourne through a revolutionary approach to digital marketing and audience insight. In 2020, she became Head of Communications, {…}
(Photo credit: ©Tristram Kenton) Glyndebourne is set to air its “The Merry Widow” on BBC Four this Christmas. The production was filmed during the 2024 festival and stars Danielle de Niese in the title role. She is joined by conductor John Wilson in a production by Cal McCrystal. “We’re delighted that audiences across the country will have this extra opportunity {…}
Glyndebourne has announced the appointment of Sam Garner-Gibbons as its new Technical and Production Director. Garner-Gibbons has worked with Chichester Festival Theatre over the last nine seasons. He will take up his new position at Glyndebourne in January 2025. Throughout his career, he has worked with such organizations as Regent’s Park Open Air Theatre, The Young Vic, Royal Festival Hall, {…}
(Photo credit: Sarah Hickson) Glyndebourne has announced its largest mainstage community opera in its history to take place in February 2025. The amateur singers and instrumentalists will perform alongside professional musicians in the world premiere of Jonathan Dove and April De Angelis’ “Uprising.” Appearing on stage will be a community chorus of 110 singers made up of 60 young people {…}
(Photo credit: Glyndebourne’s own official trailer highlights its festival as “No Ordinary Opera”. Certainly, the staging for “Tristan und Isolde” is far from ordinary, courtesy of a visually entrancing setting by Ronald Aeschlimann. The performers are basically encased in an elliptical vortex-type form of concentric circles, which I interpreted to be a depiction of some portal-like presence intended to illustrate {…}
(Photo © Glyndebourne Productions Ltd. Photo: Tristram Kenton) There was much to fuel the excitement around a brand new production of Franz Lehár’s “The Merry Widow” for Glyndebourne Festival Opera this year. It’s the first time the work has ever been mounted there, and it’s always a treat to see what the slickly-oiled operatic operation, with its six weeks of {…}
Glyndebourne has unveiled its Autumn season. “La Traviata” will star Elisa Verzier as Violetta. Joining her are Matteo Desole and Sehoon Moon as Alfredo, and Christian Federici as Giorgio Germont. Adam Hickox conducts a revival of a production by Tom Cairnes. Performance Dates: Oct. 10 – Nov. 2, 2024 Olivia Clarke conducts Mariame Clément’s production of “Il Turco in Italia.” Ian {…}
Glyndebourne has announced the addition of one performance of Händel’s “Giulio Cesare” this summer. The company revealed that due to a record number of ticket sales for its 2024 edition, it will add an August 13 showcase of the Händel work. Many of the tickets will be made available to those who signed up for the Under 30s program, which {…}
Adam Hickox has been named the new Principal Conductor of the Glyndebourne Sinfonia. Hickox has performed with such organizations as the Royal Philharmonic Orchestra, BBC Symphony Orchestra, Britten Sinfonia, National Symphony Orchestra (Ireland), Rotterdam Philharmonic, BBC Scottish Symphony, Ulster Orchestra, BBC National Orchestra of Wales, Orquesta Sinfonica de Castilla y Leon, and La Fil Filarmonica di Milano. In his new {…}
Glyndebourne has unveiled its fall 2023 slate. Here is a rundown of the opera and vocal performances. First up is “L’Elisir d’amore.” The opera wills tar Mariam Battistelli, Filipe Manu, Theodore Platt, and Tiziano Bracci. Adam Hickox conducts the production, which will be directed by Annabel Arden. Performance Dates: Nov. 11 – Dec. 1, 2023 Also on the slate is “Don {…}
(Photo credit: © Glyndebourne Productions Ltd. Richard Hubert Smith) John Cox and David Hockney’s production of “The Rake’s Progress” for Glyndebourne can surely lay claim to being the longest-running staging in the UK. It is 48-years-young this season, and on its 12th revival between Festival and Tour, not to mention the numerous loans of the production to international houses of {…}