(Photo Source: Tact International Art Management) The Deutsche Oper Berlin has announced a major cast change for its upcoming performances of “Thaïs,” according to its official website. Andrei Danilov will replace previously scheduled tenor Paolo Fanale in the role of Nicias for the both concert performances of the famed Massenet opera on April 8 and April 12. Danilov has recently {…}
(Credit: Michelle Monasta) Per the Deutsche Oper Berlin’s official website, there will be several cast changes for its upcoming production of “Il Barbiere di Siviglia.” For the presentation of the Rossini gem on March 5, Philipp Jekal will take on the title role from Samuel Dale Johnson. For the performances on April 25 and 29, Cecilia Molinari will replace Vasilisa {…}
(Credit: BdPortraits.com) The Deutsche Oper Berlin has announced multiple cast changes for its upcoming production of “Les Huguenots,” according to the official statement on the company’s website. For all the performances of the opera, soprano Liv Redpath will take over the role of Marguerite de Valois from Erin Morley, while tenor Anton Rositskiy will replace Yosep Kang in the role {…}
(Credit: Deutsche Oper Berlin/Leo Seidel) American Director Ted Huffman will stage the Benjamin Britten’s “A Midsummer Night’s Dream” at the Deutsche Oper Berlin. In this production of the masterwork at the largest Berlin’s opera house, Huffman brings a great deal of memories of Provincetown on Cape Cod. “I think of Provincetown as being akin to the forest in ‘A Midsummer {…}
(Credit: Marty Sohl/Karen Almond-Metropolitan Opera/Ken Howard-Santa Fe Opera/ Gianfranco Rota-Donizetti Opera) We hope that the end of your 2019 is a prosperous one and that the start of 2020 is even better. As we look forward to the next calendar year, we are taking some time to reflect on the opera performances that defined 2019 for many of us. As {…}
Deutsche Oper Berlin has announced cast changes for its upcoming performances of J. Strauss’ “Die Fledermaus.” The company announced that soprano Hulkar Sabirova will replace Rachel Willis-Sørensen in the role of Rosalinde for performances on Dec. 25 and Dec. 31 at 2 P.M. Meanwhile, soprano Jacquelyn Wagner will takeover the Dec. 31 performance at 7: 30 P.M. replacing Willis-Sørensen. Sabirova {…}
This review is for the performance on Nov. 15 and 21, 2019. A common complaint of the current age is that, despite our cell phones and social media profiles, humanity is lonelier and less connected than ever before. Newspapers warn of a “loneliness epidemic,” think pieces term it a “social cancer,” and streams of articles comment on topics such as {…}
Soprano Nina Stemme has made a last minute cancelation of “Tosca” at the Deutsche Oper Berlin on Saturday, Nov. 16, 2019. In her stead, Soprano Karine Babajanyan will be performing alongside Fabio Sartori as Cavaradossi and Ambrogio Maestri as Scarpia. Donald C. Runnicles will conduct the performance. Babajanyan was also the last minute replacement for Nina Stemme at the Wiener {…}
The Deutsche Oper Berlin has announced cast changes for Puccini’s “Madama Butterfly.” The company announced that Elena Guseva will replace Ermonela Jaho in the role of Cio-Cio-San while tenor Ragaa Eldin will replace Migran Agadzhanyan in the role of B. F. Pinkerton. Guseva has appeared at the Wiener Staatsoper in “Otello” and “Aida” as well as “Madama Butterfly.” This season {…}
The Deutsche Oper Berlin has announced that tenor Marc Laho will replace Tomislav Mužek on Nov. 8, 2019 in “Les Contes d’Hoffman.” Laho is a Belgian lyric tenor who made his Deutsche Oper Berlin debut in 2004 and has sung in such operas as “Don Pasquale” and “La Favorite,” among others. He has also appeared at the Opera Royal de {…}
(Credit: Bernd Uhlig) The Deutsche Oper Berlin’s current “Nabucco” is a production by Keith Warner, first presented in 2013. It’s not an unconventional production, at least by Berlin standards. Where Berlin opera is often characterized by the most provocative nontraditional productions—Frank Castorf’s recent “Forza” premiere, for instance, provoked a near-riot among its Deutsche Oper audiences—Warner’s “Nabucco,” by contrast, feels tame. {…}