Bougie Hall has unveiled its programming for the first half of 2025. Here is a rundown of the upcoming vocal performances on offer. Christian Gerhaher and pianist Gerold Huber will present a Schumann recital that includes such works as “Fünf Lieder, ” Op. 40; “Liederkreis,” Op. 39; “Drei Gesänge,” Op. 83; “Romanzen und Balladen,” Op. 53; and “Sechs Gedichte von {…}
The Dallas Opera is set to present two of its signature events. The two concerts will take place on Jan. 25 and 26, 2025. The first will be the annual Linda and Mitch Hart Institute for Women Conductors Showcase Concert on Jan. 25 and the second will be the 2025 Robert E. and Jean Ann Titus Family Recital, featuring German {…}
The Orchestra of St. Luke has announced its 50th Anniversary season. For the purposes of this article only vocal performances are included. Soprano Erin Morley will perform at the DiMenna Center Benefit. Mezzo-soprano Susan Graham hosts. Performance Date: September 9, 2024 First up in the Chamber Music Series is “Schubert with Liv Redpath and George Li.” They will present works {…}
(Photo credits: Crowley, Cadisch, & Simpson) The Oxford International Song Festival has announced its 2024 season lineup. Baritone Roderick Williams and pianist Natalie Burch open the Festival with Schubert’s “Schwanengesang.” Performance Date: October 11, 2024 Soprano Carolyn Sampson and pianist Joseph Middleton present a works by Robert and Clara Schumann. Performance Date: October 12, 2024 Dame Sarah Connolly and Joseph Middleton {…}
The Accademia Nazionale di Santa Cecilia has announced its 2024-25 season. Concerts The season opens with Puccini’s “Tosca” starring Jonathan Tetelman, Eleonora Buratto, and Ludovic Tézier. Daniel Harding conducts. Performance Dates: Oct. 21-26, 2024 Semyon Bychkov conducts Bach’s “Mass in B Minor” with soloists Miriam Kutrowatz, Catriona Morison, Benjamin Bruns, and Christian Immler. Performance Dates: Nov. 14-16, 2024 Dalia Stasevska {…}
(Photo ©-Gregor-Hohenberg) Princeton University Concerts has announced its 2024-25 season. “At Princeton University Concerts, we are continually exploring the endless possibilities of what chamber music might encompass in the hands of the world’s best musicians, from the most established to the trailblazing next generation,” said PUC Director Marna Seltzer in an official press statement. “I am proud that PUC has {…}
Wigmore Hall has announced its 2024-25 season from September to December. Here is a look at the vocal performances. Jakub Józef Orliński and il Pomo d’Oro open the season with Beyoind. Performance Date: Sept. 12, 2024 Véronique Gens, Fleur Barron, Laurence Kilsby, Stéphane Degout, Susan Manoff, and Julius Drake perform a Faure song gala. Performance Date: Sept. 13, 2024 Laurence {…}
Opernhaus Zürich has announced its 2024-25 season. Premieres Samuel Penderbayne’s “Wir pfeifen auf den Gurkenkönig” will be conducted by Thomas Barthel and Ann-Katrin Stöcker. Claudia Blersch directs the production which will star Liliana Nikiteanu, Sylwia Salamonska, Irène Friedli, Philipp Mayer, Stanislav Vorobyov, Valeriy Murga, Gary Martin, Martin Zysset, Carl Hieger, Christian Sturm, Indyana Schneider, Céline Akçağ, Sylwia Salamonska, and Rebeca {…}
The Dallas Opera has announced its 2024-25 season. Mainstage Opera The season opens with Verdi’s “La Traviata” featuring Chilean soprano Yaritza Véliz, Spanish tenor Xabier Anduaga, and baritone Alfredo Daza. Louisa Muller directs and Iván López Reynoso conducts. Performance Dates: Oct. 18-27, 2024 Claude Debussy’s “Pelléas and Mélisande” will be conducted by Ludovic Morlot and will star Benjamin Appl, Lauren {…}
(Credit: © SF / Peter Rigaud) The Salzburg Festival has announced its 2024 Season. Here is a look at the vocal performances. Opera Strauss’ “Caprricio” is set to be performed in concert form with Elsa Dreisig and Bo Skovhus as Countess and Count. The cast also includes Sebastian Kohlhepp (Flamand), Konstantin Krimmel (Olivier), Mika Kares (La Roche), Ève-Maud Hubeaux (Clairon), {…}
(Credit; Evan Zimmerman) “No Opera on a Dead Planet.” In the middle of Act two of the opening night of “Tannhäuser” as Wolfram delivered his “Blick ich umher in diesem edlen Kreise,” specifically as he sang that “love is a spring to be drunk from,” an audience member started shouting from the rafters of the Met Opera auditorium. The first {…}
