Stéphanie D’Oustrac & Toshiaki Murakami Headline Stream of New National Theatre, Tokyo’s ‘Carmen’

New National Theatre, Tokyo is set to stream its production of “Carmen” on Oct. 18, 2021. The opera, which is directed by Àlex Ollé and conducted by Kazushi Ono, will star Stéphanie D’Oustrac in the title role and Toshiaki Murakami as Don José. Alexandre Duhamel interprets the role of Escamillo while Ryoko Sunakawa takes on Micaëla. Other cast members include {…}

Miah Persson, Toshiaki Murakami, Stéphanie D’Oustrac, Hanna Hipp Headline OperaVision’s October 2021 Streaming Lineup

OperaVision has announced its streams for the month of October. It all kicks off with the New National Theatre Tokyo’s production of “Carmen” starring Stéphanie D’Oustrac in the title role alongside Toshiaki Murakami as Don José, Alexandre Duhamel as Escamillo, and Ryoko Sunakawa as Micaëla. Other cast members include Hidekazu Tsumaya, Kenichi Yoshikawa, Hidekazu Machi, Shuhei Itoga, Mari Moriya, and {…}

Saioa Hernández, Nina Stemme, Brandon Jovanovich, Ève-Maud Hubeaux, Klaus Florian Vogt, Piero Pretti Lead Deutsche Oper Berlin’s 2021-22 Season

(Credits: Bettina Stöß / Bernd Uhlig) The Deutsche Oper Berlin has announced all the premieres of its 2021-22 season. Here is a look. The “Best of Carmen” concert will spotlight Valeriia Savinskaia, Arianna Manganello, Elena Tsallagova, Matthew Newlin, Joel Allison, and Ève-Maud Hubeaux in the title role. Daniel Carter conducts a production by Silke Sense. Performance dates: Aug. 21 – {…}

Deutsches Nationaltheater & Staatskapelle Weimar Announces 2021-22 Season Featuring Iris Vermillion & Andreas Fischer

(Credit: © Deutsches Nationaltheater und Staatskapelle Weimar) The Deutsches Nationaltheater & Staatskapelle Weimar has announced its 2021-22 season. For the purpose of this article we will only focus on vocal works. Opera Stewart Copeland and Jonathan Moore’s opera “Electric Saint” opens the season with Gregor Bühl conducting a production by Jonathan Moore. Premiere Date: Sept. 5, 2021 Johann Strauss‘ “Die {…}