
Opera Meets Film: How Takashi Miike’s ‘Audition’ Manipulates / Alters the Emotions of ‘Carmen’s’ Entr’acte
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a film section or a film in its entirety and highlight the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Takashi {…}










