Gaëlle Arquez to Headline ‘Carmen’ at Edinburgh International Festival 2024

(Credit: Stefan-Brion) The Edinburgh International Festival has announced its 2024 season, entitled “Rituals That Unite Us.” “Reasserting the need for reconciliation and the value of shared experiences in today’s increasingly disconnected world, the curated programme of live music, theatre, opera and dance celebrates the practices, traditions and festivities that give us meaning and connect us – as a festival, a {…}

Mirga Gražinytė-Tyla Named Associate Artist of City of Birmingham Symphony Orchestra

The City of Birmingham Symphony Orchestra has announced that Mirga Gražinytė-Tyla will take up the role of Associate Artist from December 2023. Gražinytė-Tyla is currently the Principal Guest Conductor and was the Music Director of the CBSO from 2016 to 2022. In a statement, Gražinytė-Tyla quoted Daniel Barenboim who said some years ago: “Music can lift our feelings and imagination to {…}

Jan Latham-Koenig Joins Felsner Artists

Jan Latham-Koenig has joined Felsner Artists for general management. Latham-Koening is an internationally renowned conductor who works with the Royal Philharmonic Orchestra, London Philharmonic, Philharmonia, BBC Symphony Orchestra, Orchestre Philharmonique de Radio France, Mozarteum Orchestra Salzburg, Wiener Symphoniker, Tonhalle Zurich, Tokyo Metropolitan Symphony Orchestra, and Japan Philharmonic. He is the Music Director at Teatro Colón in Buenos Aires and the {…}

Seton Hall University Classical Concert Series 2023 Review: Cavalleria Rusticana

The traditional Cav/Pag double-bill has a flaw: “Pagliacci” overshadows “Cavalleria Rusticana.” As a result, “Cavalleria,” like an amuse-bouche, is a warmup for a more exciting opera. This bias in the Cav/Pag pairing seems illogical. Both operas are set in rural Italian/Sicilian villages, feature true-to-life characters, love triangles, and culminate in utter tragedy. Mascagni’s “Cavalleria Rusticana” stands as the first opera {…}