Soprano Christina Pecce is set to bring her show “Witches Bitches and Divas!” to the Green Room 42 on May 1, 2019. The show, which starts at 7 p.m., will also feature music director / pianist Matthew Stephens, and Steve Doyle on bass; Daniel Glass will be on the drums. This program has previously been showcased at Feinstein’s 54 Below {…}
The Opéra de Monte-Carlo has announced its slate for the 2019-20 season. It will kick off with a concert by the young artists from the Académie de l’Opéra de Monte-Carlo. Performance Date: Oct. 30, 2019 The first production of the season will be “Lucia di Lammermoor” which will star Olga Peretyatko in the title role. Ismael Jordi will be Edgardo {…}
For a big chunk of the world, this weekend is all about the “Avengers: Endgame.” But that doesn’t mean there won’t be time to head over to the opera house. So here’s the five operas we highly recommend for opera lovers still planning on having their weekend dose of their favorite artform. Ariadne Auf Naxos – Teatro alla Scala, Italy {…}
It seems like this is the weekend of the year. While the entire planet is engaged with the cinematic event of the decade (Marvel’s “Avengers: Endgame”), opera companies from around the continent are lining up some of their most exciting productions. As a result, this was one of the most challenging lists to create in quite some time. But we {…}
Aida Garifullina will no longer be performing in the Metropolitan Opera’s 2019-20 production of “Werther.” Despite being originally announced to perform the role of Sophie when the Met Opera’s season was announced, the official website no longer lists her among the cast members for the Massenet opera, which will be conducted by the Met Opera’s music director Yannick Nézet-Séguin. This {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Alice Rohrwacher’s “Happy {…}
Musikverein Wien has announced its 2019-20 season. For the purposes of this article, we will focus on vocal performances. Martin Haselböck will lead the Orchester Wiener Akademie in a performance of various works by Franz Schubert as well as Antonín Dvořák’s Symphony No. 4 in D Minor. Baritone Thomas Hampson will be featured. Performance Date: Oct. 13, 2019 Bass Günther Groissböck and {…}
Italo Tajo was one of the famed Italian basses of the mid-20th century. He was born in Pinerolo on April 25, 1915 and studied at the Music Conservatory of Turin. In 1935, he made his stage debut and in 1939, he became a member of the Rome Opera. In 1940, he joined the Teatro alla Scala, which was promptly followed {…}
“Turandot” is one of the most popular operas in the entire canon. It’s fairy tale story set in an ancient exotic culture and has been the base for some of the most extravagant and ingenious productions to ever grace any opera stage. It features some of the most riveting melodies of all time (“Nessun Dorma” is but one of several {…}
The Volksoper Wien has announced its 2019-20 season featuring an array of opera and operetta and five new productions that are sure to entice opera lovers. Premieres Marius Felix Lange’s “Das Gespenst von Canterville” is set to get a new production by Philipp M. Krenn. Anita Götz, Regula Rosin, Paul Schweinester, Rebecca Nelsen, and Birgid Steinberger star with Gerrit Prießnitz conducting. Performance Dates: Oct. 18, {…}
On May 14, 2019, the Portland Opera will present baritone Geoffrey Schellenberg in recital. This performance, scheduled for May 14 2019, at the Whitsell Auditorium of the Portland Art Museum, is part of the company’s 2019 Resident Artist Series. Schellenberg, in his first year as a resident artist, will work alongside Nicholas Fox, who is Portland Opera’s Chorus Master and {…}