Michigan Opera Theatre Appoints Yuval Sharon as Artistic Director, Announces New ‘Götterdämmerung’ Staging

(Credit: Enrico Nawath/Bayreuth Festival) Michigan Opera Theatre has announced that Yuval Sharon will join the company as the organization’s first-ever Gary L. Wasserman Artistic Director. His five-year appointment comes on the eve of the company’s 50th anniversary and is made possible by a gift from board member Gary L. Wasserman. Sharon is a recipient of both a MacArthur Fellowship and {…}

Elina Garanča, Nadine Sierra, Xabier Anduaga & Tareq Nazmi Highlight Gran Teatre del Liceu Concert

(Credits: Karina Schwarz/DG / Merri Cyr / Elena Cherkashyna / Marco Borggreve) The Gran Teatre del Liceu in Barcelona has announced that it will stream a special concert on September 27, 2020. The concert will be realized in collaboration between Gran Teatre del Liceu and Monasterio de Montserrat. The performance will feature the voices of mezzo-soprano Elina Garanča, soprano Nadine {…}

Malin Byström, Fabio Sartori & Aigul Akhmetshina Lead Deutsche Oper Berlin Revamped October 2020 Slate

(Credits: Peter Knutson / Vicor Santiago / Andrey Uspensky) The Deutsche Oper Berlin has announced changes to its October 2020 schedule. The performances of Mozart’s “Die Zauberflöte” slated for October 2, 2020; “Così fan tutte” scheduled for October 20 & 25, 2020; Verdi’s “La Traviata” scheduled for Oct. 10, 2020; Bizet’s “Carmen” slated for Oct. 16, 21 & 24, 2020; {…}

OperaVision Announces #OperaHarmony Winners & September Streaming Lineup

OperaVision has announced the winners of their #OperaHarmony series, as well as details on their upcoming September programming. Running throughout August, #OperaHarmony presented 20 short, digital opera created by artists at home, with audiences voting for their favorite. Winning first prize was “Essential Business,” by composer Judith Lynn, librettist Anna Pool, and baritone Will Liverman. Second prize went to “A {…}

Q & A: Mezzo-Soprano Daniela Barcellona on the Differences Between Verdi & Rossini

(Credit: Studio Amati_Bacciardi) Few singers have dominated the Rossini repertory in recent years the way Daniella Barcellona has. She debuted at the Rossini Festival in 1999 in the title role of “Tancredi,” and has since appeared in recordings of such works as “Sigismondo,” “La Donna del Lago,” “Il Viaggio a Reims,” “Adelaide of Borgogna,” and “Bianca de Falliero;” she has {…}