The Fordham University Department of Art History is set to present an online webinar entitled “Black Voices – Classical Music: Part 1 – Performers.” The event is set to take place on Feb. 26, 2021, from 5:30 – 6:40 p.m. EST. It will feature conversations with mezzo-soprano J’Nai Bridges as well as clarinetist Anthony McGill and oboist Toyin Spellman-Diaz. The {…}
Composer and mezzo-soprano, Lisa Neher is set to launch the One Voice Project Micro Opera Festival this March. Between March 22-26, Neher will present several works she composed to libretti by Kendra Preston Leonard including “Woman Waits With Sword,” “Momentum,” “Wide Awake in the New City,” “Now Available,” and “Par for the Course.” “During the pandemic, I spoke to so {…}
The Atlanta Opera has announced the world premiere adaptations of two renowned operas as well as three concerts this spring as part of its Big Tent series season. First up, the company will present “The Threepenny Carmen” and “The Threepenny Opera” as conceived by Carl W. Knobloch, Jr. General & Artistic Director Tomer Zvulun. “The Threepenny Opera” will star tenor {…}
The Los Angeles Opera will co-present, in collaboration with Opera Philadelphia, an online broadcast of Missy Mazzoli and Royce Vavrek’s “Breaking the Waves.” “Breaking the Waves” will be available for free through the LA Opera’s streaming platform, first for subscribers from March 12 to 18 and then to the general public from March 19 until April 12, 2021. It will {…}
“Page to Opera Stage” looks at stories – real-life or fiction, old and new – that have inspired operas, and the ways these narratives have been edited and dramatized to fit a new medium. This week’s installment – the first one – looks at Alexander Pushkin’s and Pyotr Ilych Tchaikovsky’s “Eugene Onegin.” At the age of 26, the poet, novelist, {…}
(Credit: Marco Borggreve) The Theater Freiburg in Germany has appointed André de Ridder as its new General Music Director. The appointment will begin during the 2022-23 season with Ridder following Fabrice Bollon, whose contract expires at the end of the 2021-22 season. Ridder was recommended by the Finding Commission from 150 applicants after an extensive selection process. With Theater Freiburg the {…}
David Stern’s opera company, Opera Fuoco, recently released a 14-part online series of “The Marriage of Figaro” which is set in 2020. The series was created in response to the new technological developments and the new streaming era of opera which has grown due to the COVID-19 pandemic. Stern is a firm believer that in the Netflix-era, people want/need to {…}
The Metropolitan Opera has announced its next two weeks of streams, which include a plethora of famed opera stars. There will also be some premiere streams of classic telecasts. The first week of March will be dedicated to celebrating Women’s History Month while the second will focus on Verismo works. Here is a breakdown. Week 51 – Celebrating Women’s History {…}
Bass-baritone Antoine Hodge has died after a two-month battle with COVID-19. Hodge was a rising star in the opera world who performed leading roles at the Atlanta Opera, On Site Opera, Central City Opera, Opera Colorado, Regina Opera Company, Ash Lawn Opera, Colorado Springs Philharmonic, and Winter Opera St Louis, among many others. Among the roles he performed were Antonio/Gusmano {…}
Opera Philadelphia has announced new programming for its digital channel. First up, the company will be presenting the 2016 premiere production of Missy Mazzoli and Royce Vavrek’s “Breaking the Waves.” The presentation is in collaboration with Los Angeles Opera. The opera starred Kiera Duffy as Bess McNeill alongside John Moore, Eve Gigliotti, David Portillo, and Zachary James, among others. Streaming {…}
(Credit: Gunnar Geller) The Komische Oper Berlin has announced that it will cancel all performances until May 1, 2021. Per an official statement on the company’s website, the opera house said that it was forced to cancel the presentations in April due to the current epidemiological situation. The opera house believes that the decision is in the best interest of {…}