Q & A: Iestyn Davies on Britten’s ‘A Midsummer Night’s Dream, ‘ Dostoevsky & Timothée Chalamet

(Credit: Ben Ealovega) Few countertenors today command the international stage with the authority and musical intelligence of Iestyn Davies. Renowned for his interpretations of Baroque repertoire as well as his compelling performances in 20th-century opera, Davies has become one of the defining voices of his generation. During his recent return to Teatro Real in Madrid to perform Oberon in “A {…}

How Motherhood, Career Gaps & Stage IV Cancer Led Toni Marie Palmertree to Her Met Opera Debut

(Photo: A soprano known for her “tender and expressive voice” (SF Examiner) Toni Marie Palmertree is described as giving “riveting” performances of Tosca, Donna Elvira, and Nedda across America. She makes her principal role debut March 28th at the Metropolitan Opera as Cio-Cio-San in Puccini’s “Madama Butterfly.” A graduate of the Peabody Conservatory, Toni Marie Palmertree shares with OperaWire how {…}

Q & A: Anna Skryleva on Making Her Debut at Opera Australia & ‘Eugene Onegin’

(Credit: Katharina Gebauer) Anna Skryleva is an award winning conductor, composer, pianist, and synesthete. She regularly appears as a guest conductor at prestigious opera houses including the Hamburg State Opera, the Royal Swedish Opera, the Dallas Opera, the Gewandhausorchester Leipzig, and the Frankfurt Radio Symphony Orchestra and this season she made her Teatro alla Scala debut. She is also making {…}

Q & A: Valeria Sepe on her Role Debut as Maddalena in ‘Andrea Chénier’ & Working with Jonas Kaufmann

Valeria Sepe is one most sought-after Italian sopranos of her generation. A graduate of the Conservatory “G. F. Ghedini” in Cuneo, she has performed at leading house in Firenze, Naples, Palermo, Parma and Verona, growing her reputation as a major Verdi, Puccini, and verismo interpreter. This season, Sepe will make her debut as Maddalena in “Andrea Chénier” and will sing {…}