(Photo Credit: Bernd Uhlig) Deutsche Oper’s Ring Cycle started promisingly with an original staging of “Das Rheingold,” with provocative ideas, irreverence and even humor. However, unfortunately it continued with a constant rehashing of ideas, which proved inadequate for the gigantic enterprise that is Wagner’s “Ring.” After a vocally satisfactory but scenically uninspired “Die Walküre,” matters deteriorated considerably on May 29 {…}
(Photo Credit: Bernd Uhlig) I had high expectations for this production, following the previous evening‘s “Das Rheingold,” as director Stefan Herheim had plenty of ideas for “The Ring‘s” first installment. Sadly, his ideas could not sustain the dramatic textures of “Die Walküre,” as it is replete with long narrative dialogues and less action. Herheim’s tools, the traveling refugees, the suitcases {…}
(Photo Credit: Bernd Uhlig) Stefan Herheim’s take on “The Ring” promises to be an interesting one: original, irreverential and, most of all, not trying to shock for the sake of it. This is my impression based on “The Ring’s” first installment. The imagery and the cultural references are approachable and familiar to the average German operagoer: Loge, who dominates this {…}
(© Enrico Nawrath) First seen on the Green Hill in 2023, the director of “Parsifal,” 55-year-old Jay Scheib, professor of music and theatre arts at the Massachusetts Institute of Technology and an American of international standing in the hi-tech world, is a technological wizard like no other! A couple of his credits include Thomas Adès’ “Powder Her Face” (New York {…}
(Photo credit: ©EnricoNawrath) In preparation for the new “Parsifal” at Bayreuth last year, one may have harbored preconceived doubts as to the very idea regarding the use of Augmented Reality eyeglasses. After attending this year’s performances, the doubts lingered; and although this production may not be considered a negative adventure per se, one may not view this experiment as a {…}
(Credit: Fotos von Bernd Uhlig, Kontakt: bernd.uhlig.fotografie@t-online.de) Often after watching a perplexing rendition of “Das Rheingold“, critics and public alike might proclaim: “Let’s see what will happen tomorrow night. Let us hold our judgement until then, to see where all of this is going.” And then, Herheim’s “Die Walküre” began, proving to be the worst of the cycle. The First {…}
(Fotos von Bernd Uhlig, Kontakt: bernd.uhlig.fotografie@t-online.de) It does seem that the 2021 Deutsche Oper Berlin’s Ring has been somewhat of a success over the last few years. And this is good for opera. A major achievement, this as other cycles, after the centennial Patrice Chéreau staging have created negative stirrings, indeed vivid contestations largely due to mistaken stage-director conceptions ingrained {…}
(Photo credit: Bernd Uhlig) The man who gave the opera world its most dazzling 21st century “Parsifal,” Stefan Herheim, continues his quest to interrogate the Romantic text that is Richard Wagner’s “Ring of the Nibelungen.” Inspired refreshing of a 150-year-old work of art can provide new insights and flashes of illumination. But conceptual pyrotechnics can just as easily destroy its {…}
(Photo by Bernd Uhlig) I’m back in Berlin, a city I favor and enjoy so much, ready for yet another Ring cycle at Deutsche Oper, a large, comfortable 1850-seat theatre boldly designed in the Modernist style and simply ideal for large-scale productions. And none comes much larger than those penned by Giacomo Meyerbeer, Richard Strauss and Richard Wagner Therefore, with {…}
(Photo: © Enrico Nawrath) As the final cycle of Bayreuth’s 2023 “Ring des Nibelungen” came to a close, the air remained electric with the sounds of Wagner’s apocalyptic horns and the swirling raptures of the Rhine. Camps came away divided into those either outraged or captivated by director Valentin Schwarz‘s reinvention of the Walsung’s messy journey into oblivion. To be {…}
The Deutsche Oper Berlin has announced its 2022-23 season featuring seven new productions. Premieres R.Strauss’ “Arabella” will be conducted by Sir Donald Runnicles in a new production by Tobias Kratzer. Albert Pesendorfer, Doris Soffel, Rachel Willis-Sørensen, Elena Tsallagova, and Russell Braun. Performance Dates: March 18-April 6, 2023 Arne Gieshoff and Franziska Angerer’s “Bear” will have its world premiere. Performance Dates: {…}