(Photo credit: ©EnricoNawrath) In preparation for the new “Parsifal” at Bayreuth last year, one may have harbored preconceived doubts as to the very idea regarding the use of Augmented Reality eyeglasses. After attending this year’s performances, the doubts lingered; and although this production may not be considered a negative adventure per se, one may not view this experiment as a {…}
(Credit: Fotos von Bernd Uhlig, Kontakt: [email protected]) Often after watching a perplexing rendition of “Das Rheingold“, critics and public alike might proclaim: “Let’s see what will happen tomorrow night. Let us hold our judgement until then, to see where all of this is going.” And then, Herheim’s “Die Walküre” began, proving to be the worst of the cycle. The First {…}
(Fotos von Bernd Uhlig, Kontakt: [email protected]) It does seem that the 2021 Deutsche Oper Berlin’s Ring has been somewhat of a success over the last few years. And this is good for opera. A major achievement, this as other cycles, after the centennial Patrice Chéreau staging have created negative stirrings, indeed vivid contestations largely due to mistaken stage-director conceptions ingrained {…}
(Photo credit: Bernd Uhlig) The man who gave the opera world its most dazzling 21st century “Parsifal,” Stefan Herheim, continues his quest to interrogate the Romantic text that is Richard Wagner’s “Ring of the Nibelungen.” Inspired refreshing of a 150-year-old work of art can provide new insights and flashes of illumination. But conceptual pyrotechnics can just as easily destroy its {…}
(Photo by Bernd Uhlig) I’m back in Berlin, a city I favor and enjoy so much, ready for yet another Ring cycle at Deutsche Oper, a large, comfortable 1850-seat theatre boldly designed in the Modernist style and simply ideal for large-scale productions. And none comes much larger than those penned by Giacomo Meyerbeer, Richard Strauss and Richard Wagner Therefore, with {…}
(Photo: © Enrico Nawrath) As the final cycle of Bayreuth’s 2023 “Ring des Nibelungen” came to a close, the air remained electric with the sounds of Wagner’s apocalyptic horns and the swirling raptures of the Rhine. Camps came away divided into those either outraged or captivated by director Valentin Schwarz‘s reinvention of the Walsung’s messy journey into oblivion. To be {…}
The Deutsche Oper Berlin has announced its 2022-23 season featuring seven new productions. Premieres R.Strauss’ “Arabella” will be conducted by Sir Donald Runnicles in a new production by Tobias Kratzer. Albert Pesendorfer, Doris Soffel, Rachel Willis-Sørensen, Elena Tsallagova, and Russell Braun. Performance Dates: March 18-April 6, 2023 Arne Gieshoff and Franziska Angerer’s “Bear” will have its world premiere. Performance Dates: {…}
(Credit: © Klaus Frahm) The Deutsche Oper Berlin has announced that Scottish mezzo-soprano Beth Taylor will take over the role of Erda in Wagner’s “Das Rheingold” for the performance on Jan. 4, 2022, replacing Judit Kutasi. Taylor joins a cast that includes Derek Welton, Joel Allison, Attilio Glaser, Thomas Blondelle, Markus Brück, Ya-Chung Huang, Andrew Harris, Tobias Kehrer, Annika Schlicht, {…}
(Credit: Deutsche Oper Berlin official website) The Deutsche Oper Berlin has announced that soprano Aleksandra Jovanović will not be appearing in the role of Die Königin der Nacht in Mozart’s “Die Zauberflöte” on Nov. 24, 2021. As a result, soprano Aleksandra Olczyk will take over the role. Olczyk joins a cast that includes Tobias Kehrer as Sarastro, Attilio Glaser as {…}
(Credits: Bettina Stöß / Bernd Uhlig) The Deutsche Oper Berlin has announced all the premieres of its 2021-22 season. Here is a look. The “Best of Carmen” concert will spotlight Valeriia Savinskaia, Arianna Manganello, Elena Tsallagova, Matthew Newlin, Joel Allison, and Ève-Maud Hubeaux in the title role. Daniel Carter conducts a production by Silke Sense. Performance dates: Aug. 21 – {…}
(Credits: Dario Acosta / Opéra National de Paris official website / Fay Fox) The Deutsche Oper Berlin has announced that it will reopen its doors to the audiences in June 2021, after seven month-long hiatus. Per the official press release, the reopening is epidemiologically possible as the seven-day COVID-19 incidence in Berlin has gone below the critical value of 100. {…}