
Komische Oper Berlin 2026-27 Review: Lear
(Photo: Monika Rittershaus) There are operas that survive their period, and others that somehow seem to grow into it. Aribert Reimann’s “Lear,” which received its world premiere at the Bavarian State Opera in Munich in 1978—a performance I attended—belongs emphatically to the latter category. Nearly half a century later, its music has lost none of its capacity to disturb. If {…}










