(Credit: Michael Brosilow) Chicago Opera Theater has announced an extensive digital 2020-21 season, which will feature five full operas. “Like most arts organizations, we’ve had to take stock of our values and strengths to determine how best to approach our season,” said Stefan Edlis and Gael Neeson General Director Ashley Magnus in a press release. “For COT, the priority is {…}
The Chicago Opera Theater has announced its 2020-21 season, which will feature three Chicago premieres. “The 21st century has redefined American opera through an exceptional creative surge,” said Music Director Lidiya Yankovskaya, who was at the forefront for programming for the season. “COT is quickly establishing our place at the vanguard of this movement. In our 2020-21 season, we uphold {…}
OperaWire is excited to announce that we will be joining the TDO Network, a new online weekly slate of shows by The Dallas Opera. OperaWire co-founders David and Francisco Salazar will be providing a rundown of some of the major headlines from the past week in “The News.” Check out our first installment of “The News” here and stay tuned {…}
This week as you continue at home, there are a number of new albums that you can check out. Here are the latest releases we recommend you listen to. Cavalleria Rusticana Marek Janowski and the Dresdner Philharmonie present a new recording of Mascagni’s masterpiece. The new recording brings together an acclaimed group of soloists Melody Moore as Santuzza, Brian Jagde {…}
The Nashville Opera has rescheduled its production of Verdi’s “Rigoletto” to end its 2020-21 season. The company announced that all details will be revealed in full in the coming weeks. The opera house announced on Saturday, March 14, 2020 that it had canceled its final production scheduled originally for April 9 and 11, 2020. “Rigoletto” is set to star Michael {…}
The Atlanta Opera is set to perform Tom Cipullo’s “Glory Denied” starting on May 21, 2020 as part of its Discoveries Series and Atlanta Opera Veterans Program. The work, which closes the company’s 40th anniversary season, will be directed by The Atlanta Opera’s Carl W. Knobloch, Jr. General & Artistic Director Tomer Zvulun, with Michael Mayes taking on the role {…}
The Houston Grand Opera has announced its 2020-21 season featuring a number of established as well as rising stars. Here is a detailed look at the upcoming productions: The season opens with Bizet’s “Carmen” with a cast that includes Isabel Leonard and Carolyn Sproule alternating in the role of Carmen, Andrea Caré and Frederick Ballentine alternating as Don José, Anita {…}
(Credit: Fay Fox) The Atlanta Opera has hired a number of notable artists to conform its Artistic Advisory Council. Its new advisors will include Jamie Barton, Michael Mayes, Kevin Burdette, and Morris Robinson. Burdette has appeared in such operas as “Die Entführung aus dem Serail” and “Dead Man Walking” at Atlanta Opera. Robison appeared in “Rigoletto” with the company, while {…}
(Credit: Moritz Schell Fotografie/Catherine Ashmore/Yasuko Kageyama / TOR) Three rarely performed works highlight the international weekend with three other repertory staples. There are also two new productions opening with one company premiere. Here is a look at what we recommend. Halka – Theater an der Wien, Austria Łukasz Borowicz conducts a new production of Moniuszko’s masterpiece. Mariusz Treliński directs the {…}
(Credit: The Atlanta Opera) Baritone Michael Mayes is set to make his debut at The Israeli Opera in his signature role of Joseph de Rocher in Jake Heggie’s “Dead Man Walking.” The baritone has performed the Jake Heggie opera to great acclaim at the Teatro Real in Madrid, Washington National Opera, The Atlanta Opera, Tulsa Opera, Central City Opera, Madison {…}
The Arizona Opera has announced its 2020-21 season featuring the company’s second World Premiere, the Regional Premiere of a New Mariachi Opera, a New Production of a Modern Masterwork and the Return of Two Beloved Classics. “Arizona Opera continues to deepen its commitment to presenting the most vibrant programming possible on our stages and throughout the community. This spans the {…}
