Editor’s note: The initial review is for the performance on April 10, 2024 and was written by Francisco Salazar. The addendum is for the performance on April 13, 2024 and was written by David Salazar, who attended both performances. It’s been 47 years since Ponchielli’s “La Gioconda” has been shown at the Teatro San Carlo. Considered one of the most {…}
The Teatro Real de Madrid has announced its 2024-25 season. Opera Nicola Luisotti and Andrés Salado conduct Cilea’s “Adriana Lecouvreur” in David McVicar’s production. The production will star Ermonela Jaho, Maria Agresta, Brian Jagde, Matthew Polenzani, Elīna Garanča, Ekaterina Semenchuk, Nicola Alaimo, and Manel Esteve. Performance Dates: Sept. 23-Oct. 11, 2024 Charpentier’s “David et Jonathas” will be performed in concert with Petr Nekoranec, Gwendoline Blondeel, Jean-Christophe {…}
(Photo credit: Vincent Pontet-OnP) A few years ago, when Bieito’s staging of “Simon Boccanegra” premiered at the Paris Opera, the reviews were abysmal. Few things are as catchy in the opera world as negative consensus. I got to see the same production with a very similar cast last weekend, and, somehow, I think it was one of the most emotional {…}
The Philharmonie de Paris has announced its 2024-25 season. Here is a look at the vocal performances. Orchestre de Paris Klaus Mäkelä conducts music by Beethoven, Peteris Vasks, and Tchaikovsky. Lisa Batiashvili is the soloist. Performance Date: Sept. 11, 2024 Stanislav Kochanovsky conducts a program of music by Tchaikovsky, Ravel, and Alexandre Tcherepnine. Golda Schultz stars. Performance Date: Oct. 9, {…}
Giancarlo Perbellini, chef of the two-Michelin-starred restaurant Casa Perbellini 12 Apostoli presents “Preludio: Casa Perbellini before the Arena,” a menu specially designed for attendees of the 2024 Summer Season of the Verona Arena’s Lyric Festival. Dining takes place 6:45 p.m. – 8:30 p.m., Tuesday to Saturday, during the festival, which runs June 7 – Sept. (except for Aug. 15 – {…}
The CD release of “Parsifal” under Philippe Jordan is not exactly news. The production dates from the 2021 season of the Vienna State Opera when the gritty, and no less controversial, staging of Kirill Serebrennikov received widespread attention. It was a secular “Parsifal,” highly politicized, and more akin to the oppressive climate of the Soviet Gulag than the Romantic exclusivity {…}
The Opéra de Paris has announced its 2024-25 season. Opera Verdi’s “Falstaff” opens the season with a cast that includes Ambrogio Maestri, Olivia Boen, Marie-Andrée Bouchard-Lesieur, Andrei Kymach, Gregory Bonfatti, Marie-Nicole Lemieux, Iván Ayón-Rivas, and Federica Guida. Michael Schønwandt conducts the production by Dominique Pitoiset. Performance Dates: Sept. 10-30, 2024 Puccini’s “Madama Butterfly” will star Eleonora Buratto, Elena Stikhina, Aude {…}
Welcome back for this week’s look at the latest CD and DVD releases in the opera world. This week audiences will get to hear a new recording of Wagner’s final work with a famed cast and a full recording of Donzietti’s rarely performed work. L’esule di Roma Opera Rara releases its 27th complete Donizetti revival with the Britten Sinfonia conducted by {…}
The French baritone Ludovic Tézier has performed worldwide at the most notorious opera houses like the Met, Royal Opera House, Paris Opera, Wiener Staatsoper. He also appears in many opera CDs and DVDs. He is one of the most renowned and in-demand baritones sing today. OperaWire spoke with Teezier during a run of performances of a new production of Verdi’s {…}
Sony Classical has announced the release of a new “Parsifal” starring Jonas Kaufmann, Ludovic Tézier, and Elīna Garanča. The new recording slated for release on March 1, 2024, was recorded at the Wiener Staatsoper in 2021 without an audience. Kaufmann took to social media to announce the new release and said, “I am happy to announce the release of our {…}
(Credit: Javier del Real) A woman’s whimper, a stifled scream, echoes in the dark. She flees into the theatre, amidst the stalls, chased by a few men in ominous rabbit masks. She seeks refuge on stage, terrified in front of the bright red curtain, the pack hunts her down, overpowers her. The trombones attack the prelude, with haunting repeated notes, {…}
