The Yale Schwarzman Center has announced its Spring 2025 lineup of events. Here is a rundown of the classical vocal offerings. First up is a work-in-progress presentation for Ted Hearne and Chana Porter’s “The Dispossessed.” The work is based on an award-winning novel that explores a future utopian society. Performance Date: Jan. 18, 2025 Soprano Julia Bullock and the New Haven {…}
(Photo credit: Erin Baiano) GRAMMY-winning tenor Karim Sulayman, the star of David T. Little’s new monodrama,“What Belongs to You” spoke with OperaWire about undertaking this uniquely challenging role, and working with the close-knit creative team. “What Belongs to You” is based on Garth Greenwell’s debut novel of the same name. He describes it as “the story of a man caught {…}
The Park Avenue Armory has announced its fall 2024 recital series. The season opens with Beverly Sills Award-winning soprano Leah Hawkins with pianist Kevin Miller exploring her personal journey of self-acceptance and identity. They will perform works by Poulenc and Lili Boulanger as well as a collection of folk songs from various cultures. Performance Dates: Sept. 13 & 15, 2024 Tenor Karim {…}
David T. Little’s “What Belongs to You” is set to premiere this September. The opera for tenor and chamber orchestra will take the stage off the Modlin Center, Virginia on Sept. 26 and 28, 2024 for the Arts in a production directed by Mark Morris. Tenor Karim Sulayman stars as “The American” and Alan Pierson conducts. The production was commissioned {…}
Camerata Pacifica Baroque will tour “The French Dispatch” this April. The program, which features works by Rameau, Clérambault, Guédon de Presles, and Telemann, will be presented four times. The first showcase is set for April 21 at Scherr Forum Theatre in Thousand Oaks, CA. Then it heads to San Marino where it will be presented at The Huntington’s Rothenberg Hall {…}
Photo: Maria Baranova Prototype Festival presented “Adoration” at New York City’s The Sheen Center for Thought & Culture on January 12th, 2024. It was an innovative opera, featuring both voices, an amplified string quartet, and technical sound engineering, composed by Mary Kouyoumdjian with a libretto by Royce Vavrek. This world premiere, shockingly timely, challenged audience members to examine bias while {…}
The Grammy nominations have been announced. The Best Opera Recording nominees are Blanchard’s Champion featuring Yannick Nézet-Séguin, Ryan Speedo Green, Latonia Moore, and Eric Owens with David Frost as the producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus); and Corigliano’s “The Lord Of Cries” featuring Gil Rose, Anthony Roth Costanzo, Kathryn Henry, Jarrett Ott, and David Portillo with Gil {…}
The Boston Baroque will continue its season with two-holiday programs. Händel’s “Messiah” will be performed on Dec. 2 at GBH’s Calderwood Studio in Brighton and on Dec. 3rd at NEC’s Jordan Hall in Boston. Music Director Martin Pearlman will be conducted and will star soprano Amanda Forsythe, mezzo-soprano Tamara Mumford, tenor Karim Sulayman, and baritone Roderick Williams. The Saturday performance {…}
Washington D.C’s The Phillips Collection has announced its 2023-24 season marking its 83rd season of celebrated concerts with a line-up of critically-acclaimed artists as well as partnerships with the Queen Elisabeth Music Chapel, Howard University, and the USC Thornton School of Music. A pillar of the museum’s cultural offerings, Phillips Music continues to connect audiences with artists celebrated worldwide, presenting {…}
The Celebrity Series of Boston has announced its 2023-24 Season. Here is a look at the vocal highlights. Soprano Renée Fleming performs at Symphony Hall. Performance Date: Nov. 12, 2023 Tenor Karim Sulayman and guitarist Sean Shibe come together for a program that brings together 16th and 17th-century Italian and English works, traditional Sephardic and Arab-Andalusian songs, and Benjamin Britten’s {…}
Credit: Francesco Bondi Each year, The Haydn Foundation of Bolzano and Trento presents a short program of operas with an emphasis on the new and experimental, which, this season, included the world premiere of “Peter Pan, The Dark Side,” written by the composer Wolfgang Mittere and librettist David Pountney. The idea for the work came from the foundation’s artistic director, {…}