Staatsoper Stuttgart 2025-26 Review: Don Giovanni

(Credit: Martin Sigmund) While the midsize southwestern German city of Stuttgart is not an international operatic centre like Berlin or Munich, it’s nonetheless important to opera’s history. It witnessed the world premieres of three major works: Strauss’s “Ariadne auf Naxos“ (1912); Zemlinsky’s “A Florentine Tragedy” (1917); and Philip Glass’s “Akhnaten” (1984), in addition to several operas by Carl Orff and {…}

Opéra Grand Avignon 2025 Review: Don Giovanni

(Photo: © Opéra Grand Avignon) From October 10 to 14, Opéra Grand Avignon is staging Mozart’s “Don Giovanni” in a production by Belgian director Frédéric Roels and Israeli-Brazilian conductor Débora Waldman. First, we must salute the fluid and natural musical direction of the conductor with the Orchestre National Avignon-Provence, which beautifully recreates Mozart’s silky orchestral lacework. Nevertheless, the orchestra speeds {…}

Ryan Speedo Green, Kyle Ketelsen, Federica Lombardi & Ben Bliss Lead Metropolitan Opera’s ‘Don Giovanni’

(Credit: Karen Almond) The Metropolitan Opera is set to revive Ivo van Hove’s production of Mozart’s “Don Giovanni.” The opera will be performed 14 times between Sept. 24 and Nov. 22, 2025 and will showcase Yannick Nézet-Séguin conducting the first cast. Bass-baritone Ryan Speedo Green takes on the title role with a cast that includes Federica Lombardi, Ben Bliss, Janai {…}

‘Don Giovanni’ Is One of the Greatest Works Ever Written. Why Is It So Hard for Directors to Get Right?

(Photo: © Monika Rittershaus) “Don Giovanni” is an opera of seductions and escapes, moral wreckage and divine retribution, a shimmering mosaic of comedy, tragedy, farce, and existential dread. Yet “the mother of all operas” is also a uniquely treacherous work—at once alluring and intractable, irresistibly open yet elusive. Music’s sublimity rarely fails to connect with audiences, even in a less-than-stellar {…}