The Wiener Staatsoper has announced a cast change for its March 6, 2025 performance of Bellini’s “Norma.” The company said that Dmytro Popov will sing the role of Pollione replacing Juan Diego Flórez, who is ill. This is the second performance that Flórez cancels. He previously canceled the March 3 performance due to viral tracheitis. Popov is a tenor who {…}
UPDATE: Ewa Vesin will replace Olga Busuioc in the title role. Vesin performed last Friday and will also take on the role again on Monday, January 27. The Staatsoper Stuttgart has announced a cast change for its Jan. 27 performance of “Tosca.” The company said that Dmytro Popov will sing the role of Cavaradossi, replacing an ill Atalla Ayan. Ayan previously {…}
(Photos: Marty Sohl / Met Opera) The Metropolitan Opera’s “La Bohème” celebrated a new season of success thanks to Kensho Watanabe at the podium and a stunning cast of favorites, including Ailyn Pérez, Dmytro Popov, Boris Pinkhasovich, Bogdan Talos, Emily Pogorelc, Gihoon Kim, and Donald Maxwell. Conductor Kensho Watanabe’s Midas Touch Conductor Kensho Watanabe, who made his Met debut with {…}
The Berlin Philharmonic has announced its 2024-25 season. Here is a look at the vocal performances. Jonathan Nott conducts pianist Pierre-Laurent Aimard and the Ernst Senff Chor Berlin choir in works by Missy Mazzoli, Peter Eötvös, and Charles Ives. Performance Dates: Sept. 7 & 8, 2024 Jakub Józef Orliński is joined by Aleksander Dębicz, Wojciech Gumiński, Marcin Ułanowski, and Mateusz {…}
(Photo Credits: Arne Hyckenberg) The Swedish Radio Choir, on December 9, performed one of Rachmaninoff’s last pieces before his emigration from Russia, namely his choral symphony, “The Bells” (Op. 35), composed right before his English tour and other notable works like his “All-Night Vigil” (Op. 37) and his acclaimed “Vocalize” (Op. 34, No. 14). Accompanied by the Swedish Radio Symphonic {…}
The 2024 Glyndebourne Festival has been announced celebrating its 90th season. The season will open with a new production of Bizet’s “Carmen,” directed by Diane Paulus in her Glyndebourne directorial debut. Music Director Robin Ticciati and conductor Anja Bihlmaier will share conducting duties with two casts. The first cast will include mezzo-soprano Rihab Chaieb in the role of Carmen and {…}
The Orquesta Filarmónica de Gran Canaria has announced its 2023-24 season. Here are the vocal performances. Karel Mark Chichon conducts Verdi’s Requiem with soloists Krassimira Stoyanova, Dmytro Popov, Rihards Macanovskis, and Olesya Petrova. Performance Dates: Sept. 21, 2023 Elina Garanca, José Antonio López, María José Moreno, and Ismael Jordi lead “Luisa Fernanda” with Karel Mark Chichon. Performance Date: Oct. 20, 2023 Karel Mark {…}
Eleonora Buratto is set to bring her acclaimed Cio-Cio-San to the European stage for the first time this season at the Teatro dell’Opera di Roma. The soprano will sing the title role in “Madama Butterfly” in a production buy Àlex Ollé de La Fura dels Baus. The new staging, which is a co-production with Opera Australia, will be performed from {…}
The Deutsches Symphonie-Orchester Berlin has announced its 2023-24 season. Here are the vocal performances for the season. Robin Ticciati conducts Wu Wei, Karen Cargill, and Allan Clayton in Gustav Mahler’s “The Song of the Earth.” The program also includes Unsuk Chin’s ›Šu‹ for sheng and orchestra. Performance Date: August 30, 2023 Cornelius Meister conducts Beethoven’s Symphony No. 9 with soloists {…}
Kazuki Yamada/courtesy of CBSO The City of Birmingham Symphony Orchestra (CBSO) has unveiled its 2023-24 season, and it’s full to the brim with opportunities to hear some of the world’s finest music and musicians. With over 12 months of programming, the Orchestra has something for everyone. The Orchestra will also celebrate the 50th anniversary of the City of Birmingham Symphony {…}
Photo: Ken Howard/Met Opera March 7, 2023, saw the second performance of the third cast in the Metropolitan Opera’s run of Verdi’s “La Traviata,” starring Angel Blue. Michael Mayer’s lavish production sets the stage for the unfolding tragedy in ways that both amplify and obscure certain aspects. From the overture, we’re presented with a tableau of the moment following Violetta’s {…}
