(Credit: Sim Canetty-Clarke) Few tenors today have the Wagnerian pedigree that Stuart Skelton has. The Australian tenor, who has taken on pretty much every major role by the master of Bayreuth, has opened major productions of Wagner’s operas around the world. In the midst of his recent production of “Die Walküre” at the Teatro Real de Madrid, Operawire had an {…}
(Credit: Cory Weaver/Lyric Opera of Chicago) Elisabet Strid is considered one of today’s leading dramatic sopranos. She has performed on some of the world’s greatest stages to great acclaim and has specialized in the works of Wagner and Strauss. But there is without a doubt one role that has defined her career up to this point; Sieglinde in Wagner’s “Die {…}
(Credit: Stefan Cohen) The San Francisco Symphony showcased Richard Strauss and Richard Wagner at Davies Symphony Hall under the baton of Australian conductor Simone Young. The opening performance was a remarkable achievement with Stuart Skelton, Emily Magee, and Ain Anger shining in the first Act of Wagner’s “Die Walküre.” Elegance Embodied Young replaced Sir Anthony Pappano who had prior commitments {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Zack Snyder’s “Watchmen.” {…}
(Credit: Hilary Scott) Let’s start stating – to me – the obvious. The cast that Tanglewood put together for its first complete performance of a Wagner opera could not reasonably be improved upon. Every voice was stunning in its own way. Every character from the hoary mythos was carefully and movingly delineated. The staging of this opera was simple yet {…}
Wagner’s “Die Walküre” is set to appear on Great Performances at the Met on August 12 at 12 p.m. The opera will feature Robert LePage’s famed production with Christine Goerke, Greer Grimsley, Stuart Skelton, Jamie Barton, Eva-Maria Wesbroek, and Günther Groissböck among the cast members. Philippe Jordan conducts the second installment in Wagner’s famed tetralogy. Of the opera’s opening performance, {…}
Teatro Nacional de São Carlos, Lisboa has announced its 2019-20 season. The season will start off with Welsh National Opera’s production of Verdi’s “La Forza del Destino,” directed by David Pountney. The cast will feature Miklós Sebestyén as the Marquis of Calatrava / Il Padre Guardiano, Cristiana Oliveira / Julianna Di Giacomo as Leonora, Damiano Salerno as Don Carlo di {…}
Richard Wagner, born on May 22, 1813, is arguably opera’s most famed revolutionary. His music creates a wide range of emotional reactions from his audiences. Some people are completely obsessed with his music and can’t really consider anyone near his level. Other enjoy it in bits and pieces but might find the lengths of his works challenging. Others still outright {…}
The Longborough Festival Opera announced its 2020 season, which will feature four operas from a wide range of periods and cultures in the artform’s history. After a season with three of four operas in Italian, this season will feature a work by a baroque composer, a bel canto composer, a Czech master, and finally, Wagner. “Die Walküre” will be presented {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Bryan Singer’s “Valkyrie.” {…}
Wagner’s “Die Walküre” took center-stage at the Metropolitan Opera on Monday, March 25, 2019 to what is likely to have been the most enthusiastic audience of the season. After every act, the artists were showered with tremendous ovations, each more effusive than the last. It was emblematic of an evening that just seemed to grow in stature as the night {…}