A new production of “Die Walküre” directed by Katharina Wagner will receive its world premiere in China next month, marking the second installment of the “Bayreuth in Shanghai” three-year opera project. The production will be presented at the Shanghai Grand Theatre on April 24 and 26, 2026 as part of the 41st Shanghai Spring International Music Festival. It follows last {…}
The Atlanta Opera Film Studio has released three new cinematic opera films adapted from the company’s acclaimed stage productions of Richard Wagner’s Ring Cycle. Produced by The Atlanta Opera’s Carl W. Knobloch Jr. General and Artistic Director Tomer Zvulun and Film Studio Director Felipe Barral, the films transform the stage productions into full-length movie experiences designed for global streaming audiences. {…}
The Opéra de Paris has announced a cast change for its production of “Die Walküre.” The company said that Iain Paterson, who is ill, has cancelled the dress rehearsal, preview, and premiere of “Die Walküre.” As a result, the role of Wotan will be performed by Christopher Maltman on 8 and 11 November 2025.” Maltman is a well-known singer who has {…}
(Photo: Sofia Opera & Ballet) Director Plamen Kartaloff’s newest production of “Der Ring des Nibelungen” holds a very special place in the opera world. Sofia Opera and Ballet premiered this production in 2023 and OperaWire reviewed its arrival and aesthetic developments in full, detailing how “in a country with a population of less than seven million people, the cycle was {…}
(Photo: © Royal Swedish Opera) On March 29, the Royal Swedish Opera performed Wagner’s second opera, “Die Walküre,” from the four-opera epic, “Der Ring des Nibelungen.” Mixing interiors, epochs, and styles, the evening’s production featured (surprisingly sterile) 16th to 17th century Medieval great hall interiors for the first half and 18th to 19th century French fine art lined salon-meets 18th {…}
(Credits: Brescia e Amisano) ‘The error in the art-genre of Opera consists herein – a Means of expression (Music) has been made the objective, while the End of expression (the Drama) has been made a means.’ – Richard Wagner “Opera and Drama” (1851) Words and Tones, A Drama Must Make Wagner is difficult, though he attempted, through a lifetime {…}
(Credit: © Matthias Baus) The Wiener Staatsoper has announced a cast change for “Die Walküre.” The company announced that Simone Schneider will sign the role of Sieglinde, replacing Lise Davidsen who is pregnant and has canceled all performances after March until 2026. Schneider is one of the most sought-after dramatic singers performing at the Berlin State Opera, Hamburg State Opera, {…}
Image courtesy of Sydney Symphony Orchestra. Photo by Jay Patel. With “Die Walküre,” the second opera of Richard Wagner’s four-opera “Ring” cycle, the epic plot comes down to the human level, having begun in the first opera, “Das Rheingold,” in the realm of gods (albeit flawed), Rhinemaidens, giants, and other immortals. This November 15 and 17’s performances of “Die Walküre” in {…}
(Photo: Lucerne Festival, Patrick Hürlimann) Jan Vogler was appointed as artistic director of The Dresdner Musikfestspiele in 2009, since when, according to the company’s website, it “has expanded its global reach and has broken new ground offering a wide range of programmatic concepts.” Its current project endeavors to open a “new chapter in Wagner interpretation history with its ‘The Wagner {…}
(Credit: Fotos von Bernd Uhlig, Kontakt: bernd.uhlig.fotografie@t-online.de) Often after watching a perplexing rendition of “Das Rheingold“, critics and public alike might proclaim: “Let’s see what will happen tomorrow night. Let us hold our judgement until then, to see where all of this is going.” And then, Herheim’s “Die Walküre” began, proving to be the worst of the cycle. The First {…}
(Photo credit: Raftermen Photography) Of late, The Atlanta Opera (TAO) makes possible the nearly-impossible. In March, your reviewer summarized the robust health this company enjoys despite the current fiscal climate that shrinks arts organizations. With each gut punch to classical music lovers in the United States—the Metropolitan Opera Guild evaporating and Opera News taking the form of a brief supplement {…}