The Met Opera will continue off its Live in HD series this March 30, 2019 with a performance of Wagner’s “Die Walküre.” The broadcast, which kicks off 11:55 p.m. Eastern time, will showcase Christine Goerke as Brünnhilde in her first Live in HD broadcast performance. Eva-Maria Westbroek, fresh off her recent HD appearance in “La Fanciulla del West” will appear {…}
San Francisco Symphony has announced its 2019-20 season, which marks the 25th and final season of Michael Tilson Thomas’ distinguished tenure as Music Director. For the purposes of this article, we will focus primarily on vocal performances. The season will start off with a concert led by Michael Tilson Thomas featuring tenor Nicholas Phan and cellist Oliver Herbert, along with {…}
The Pittsburgh Festival Opera has announced its 2019 slate of performances. All of the operas will be sung in English. Everything gets off to a unique start with Strauss’ rarely performed “The Love of Danae” appearing for one performance at the Falk Auditorium. Performance Date: July 12, 2019 “Mister Rogers’ Opera” takes the stage on the second night of the {…}
The Longborough Festival Opera is set to launch a new Ring Cycle in 2019. The cycle will kick off in June 2019 with a new production of “Das Rheingold.” Per a press release, this first installment will feature showcases on June 5, 7, 9, and 11. In June 2020, Wagner’s “Die Walküre” will get a new staging, followed by “Siegfried” {…}
Bass-Baritone James Morris is one of the great American singers of the late 20th century. Born on Jan. 10, 1947, Morris studied with Rosa Ponselle at the Peabody Conservatory and then attended the Academy of Vocal Arts and University of Maryland. He made his debut with the Baltimore Opera in 1967 and then appeared with the Metropolitan Opera for the {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features “The Theory of {…}
We had the unexpected pleasure of attending the last Cycle of the Keith Warner production of “Der Ring des Nibelungen” at the Royal Opera House, Covent Garden (September 26 through November 2, 2018). Warner’s production, like most modern productions, had several insightful touches and many silly ones. The performance begins and ends with the Rhine Maidens in a “natural state” {…}
This Sunday, Oct. 28, 2018, audiences will get to experience the second installment in Wagner’s “Der Ring des Nibelungen” in cinemas. “Die Walküre,” often seen as the most popular of the four operas included in the famed tetralogy, will head to the silver screen with a cast that includes Stuart Skelton as Siegmund and Emily Magee as his twin sister {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features the popular hit {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Joel Edgerton’s “The {…}
Over the last few months, one of the biggest headlines has been the announcement that the Bayreuth Festival would be taking its forces to Abu Dhabi for a couple of performances of Wagner’s “Die Walküre.” The Bayreuth Festival isn’t known for traveling abroad for its productions and Abu Dhabi is not among the recognized homes of opera. But this shift {…}
