Bayreuth Festival 2022 Review: Die Walküre
(Credit: Enrico Nawrath) Following a truly disappointing “Das Rheingold,” the August 11 “Die Walküre” proved the polar opposite. Schwarz’s realistic human approach seemed a little bit more appropriate in this title where human characters appeared for the first time (all characters from the previous opera are mythological). The Austrian director knew how to develop the feelings of the characters and {…}