
Tulsa Opera 2019-20 Review: Carmen
If stuffy audiences at the Opéra-Comique first attacked George Bizet’s “Carmen” for its offensive content, today the opera runs the risk of seeming antiquated. Much of the music might get your toes tapping, but over-exposure risks making the most popular tunes seem trite or even parodic. Today’s audiences might not appreciate the orientalist take on Spanish culture that was so {…}