Orchestre Classique de Montréal To Present Historic ‘Messiah’

The Orchestre Classique de Montréal is set to showcase the first-ever performance of Handel’s “Messiah” at the Crypt of Saint-Joseph’s Oratory. The performance, set for Dec. 8, 2019, will feature soprano Aline Kutan, mezzo-soprano Annamaria Popescu, tenor Zachary Rioux, and baritone Gregory Dahl. Kutan teaches Montréal’s Conservatoire de Musique in addition to enjoying an international career onstage. Rioux is currently {…}

Q & A: Harry Christophers On The White Light Festival & A Big Year for The Sixteen

On Nov. 7, the White Light Festival in Lincoln Center will present the U.S. premieres of James MacMillan’s widely acclaimed “Stabat Mater” and “Miserere” as part of the 10th anniversary of the festival. Harry Christophers, music director and founder of The Sixteen choir, will lead both works alongside the Britten Sinfonia ensemble. It’s a big year for Christophers, who is celebrating the {…}

Opera Meets Film: ‘Jojo Rabbit’ Retells Gounod’s ‘Faust’ From A Hitler Youth’s Imaginative Perspective

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Taika Watiti’s “Jojo Rabbit.” On first instance, “Jojo Rabbit” is as weird a film as its title suggests. We are following around a young boy Jojo as he tries to make his way into the Nazi ranks. Goading him on his imaginary friend Hitler, a cartoony, fun-loving, father figure to the inexperienced boy. Nazis and their rules and regulations are {…}