The New York City Opera is set to present “O Arame” in a future season. In an article by Platea Magazine, the Spanish magazine noted that the Gallegan opera, which made its world premiere in 2008, is set to appear with the New York City Opera in either the 2019-20 season or the 2020-21 season as part the Opera en Español series. However, {…}
There was a rather sad preamble to the premiere of Puccini’s “Turandot” at Teatro Real on the 30th of November, 2018, largely due to the cancelation of Nina Stemme in the title role. The Swedish dramatic soprano had just scored a major success during the run of Wagner’s “Der Ring des Nibelungen” at Royal Opera House, Covent Garden in London {…}
The Amore Opera has announced its 2018-19 season celebrating its 10th anniversary. This year the company will perform six productions that include opera classics, neglected gems of the repertoire, appealing children’s fare, and ever-popular Gilbert & Sullivan. Here is a look at what the season has to offer. Productions The season opens with Puccini’s “La Bohème” in a production co-directed {…}
Jorge de León will jump into a production of “Madama Butterfly” at the Wiener Staatsoper on Dec. 3, 2018 The tenor will step in for Andrea Carè, who is ill. De León recently concluded a production of “Manon Lescaut’ at the Staatsoper Hamburg and will perform the role of Pinkerton in “Madama Butterfly” at the Gran Teatre del Liceu in {…}
For many years Saioa Hernandez has performed at some of the leading Italian opera companies performing a variety of repertoire. She has been seen dominating the Bel Canto rep as well as many of Verdi’s operas and she has made a signature of many rarely performed Verismo pieces. This week, she is about to give her highest profile assignment to {…}
Puccini’s “Madama Butterfly” will be live streamed from the Vienna State Opera on Friday, Dec. 7, 2018, as part of the company’s ongoing streaming service. Ana María Martínez brings her famed interpretation to Vienna alongside tenor Andrea Carè and baritone Gabriel Bermúdez. Conductor Jader Bignamini leads the musical direction in the production by Josef Gielen. This is the final performance {…}
The Metropolitan Opera will open a new production of Verdi’s “La Traviata” on Monday, Dec. 4, 2018. The new production is hotly anticipated for a number of reasons. First off, it represents the first opera under new Music Director Yannick Nézet-Séguin. The maestro will be doing his second run of “La Traviata” with the company. He previously conducted seven performances {…}
Karita Mattila has announced that she will sing in Wagner’s “Tristan und Isolde.” The Finnish soprano announced via Twitter that she had signed a contract to do her first Isolde. The tweet stated, “I LOVE it! I love these imaginative thoughts. I completely had an ‘awakening’ with Ring in San Fran last summer, meaning: WAGNER. The ‘complicated relationship’ was over {…}
Iestyn Davies has canceled his final performance of Handel’s ” Messiah” with the Handel and Haydn Society. The Countertenor announced via social media that “Unfortunately due to the plague (some sort of bronchitis) I’m unable to perform in today’s final Messiah with Handel and Haydn Society here in Boston. I missed yesterday’s show too and managed to get through most {…}
In late September, I noted that New Camerata Opera was making waves as one of the most exciting “indie” opera companies in New York. The founders of the company put together an enjoyable season-opening gala which was followed up by a successful outreach performance at an art gallery. To clinch an exciting fall season, the New Camerata Opera put together {…}
La Divina, born on Dec. 2, 1923, sang just under 50 roles over the course of her career. From Carmen to Medea to Tosca, she approached each role with the dramatic prowess which truly earned her the title that we so lovingly reference to this day. In musical circles, Callas has always been and will always remain a topic of {…}
